Results 11 to 20 of about 160,047 (256)
Fernando de Rojas and the Renaissance Vision
The late medieval masterpiece Celestina has long been the focus of controversy, over both its authorship and the apparent contradictions and inconsistencies within its plot. Scholars trace the publication of Celestina to 1499, when Fernando de Rojas supposedly discovered the first act and completed the remainder of the drama within a two-week period ...
Ricardo Castells
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Celestina de Fernando de Rojas: documento bibliográfico
N ...
Joseph T. Snow
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Books and readings by Fernando de Rojas in Lazarillo de Tormes (and in La Celestina)
After defending that Lazarillo is a legal novel written by a jurist from Toledo who could have been Fernando de Rojas, in this paper an analysis is offered of those literary books that the author of La Celestina jealously kept in his personal library ...
José Juan Morcillo Pérez
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La literatura según Fernando de Rojas
Carlos Heusch studies a few lines from the Prologue of the Tragicomedy by Fernando de Rojas, which contain according to him the poetics and aesthetic of reception as conceived by the author of La Celestina. Following Rojas, what matters in literature is not the «story» (historia) told but its «particularities» (particularidades), that is to say all ...
Carlos Heusch
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Areúsa: de Fernando de Rojas a Angelina Muñiz-Huberman
La novela Areúsa en los conciertos (2002) de Angelina Muñiz-Huberman se construye a partir de una red de guiños intertextuales a La Celestina, obra clásica del panteón literario español.
Jéromine François
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La Celestina de Fernando de Rojas : un monde plein de vide
En examinant la poétique du vide cultivée par La Celestina (1499), cette étude se propose d’analyser l’émergence, au sein de l’univers déployé dans la tragicomédie, d’une appréhension nouvelle du monde. Une appréhension nouvelle faite de scepticisme et de désillusion que l’œuvre fait entendre jusque dans sa célébration des plaisirs et au cœur même du ...
Odile Lasserre Dempure
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Antonio Gargano, La ley universal de la vida. Desorden y modernidad en La Celestina de Fernando de Rojas, Madrid-Frankfurt am Main, Iberoamericana-Vervuert, Biblioteca Áurea Hispánica 136, 2020, 288 pp. ISBN 9788491921622 (Iberoamericana) 9783968690636 (
Silvia Monti
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Déformances s’essaie à dessiner une cartographie théâtrale sud-américaine dont les chemins ne sont que rarement explorés par les discours historiographiques.
Guillermina Bevacqua
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Se reseñó el libro: "La Célestine" selon Fernando de Rojas.
Carroll B. Johnson
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Celestina – a Spanish Novel on the East German Stage before and after German Reunification
Este estudio compara dos adaptaciones alemanas de Celestina —una escrita antes y otra después de la reunificación de Alemania en 1990. Las dos adaptaciones cambian el argumento de Fernando de Rojas de diferente forma.
Gabriele Eckhart
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