Results 221 to 230 of about 564,538 (251)
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Fernando De Rojas' Parmeno: The Making of a Picaro
South Atlantic Bulletin, 1976exaly +2 more sources
Fernando de Rojas, Celestina (1499) (Spanish version)
2021This unit (Text, intro, and notes in Spanish) contains a brief introduction to the Spanish masterpiece Celestina, or The Tragicomedy of Calisto and Melibea, and a fragment from a dialogue in Act VII adapted for modern readers with notes, and a short bibliography. Celestina deals with love, the decline of nobility, prostitution, witchcraft, money, death,
Miguel-Prendes, Sol +2 more
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Celestinesca
A la entrada del templo de Apolo figuraba la máxima «conócete a ti mismo» (lat. nosce te ipsum), cuya recepción moderna privilegia la introspección retrospectiva.
José R. Dominicci-Buzó
semanticscholar +1 more source
A la entrada del templo de Apolo figuraba la máxima «conócete a ti mismo» (lat. nosce te ipsum), cuya recepción moderna privilegia la introspección retrospectiva.
José R. Dominicci-Buzó
semanticscholar +1 more source
Les annales de la FLSH
: This reflection examines La Celestina by Fernando de Rojas through the prism of intermediality, focusing on the interplay of narrative voices. In other words, it explores how this work uses intermediality to enrich the narration and understanding of ...
Mouhamadou Moustapha Thioune
semanticscholar +1 more source
: This reflection examines La Celestina by Fernando de Rojas through the prism of intermediality, focusing on the interplay of narrative voices. In other words, it explores how this work uses intermediality to enrich the narration and understanding of ...
Mouhamadou Moustapha Thioune
semanticscholar +1 more source
Fernando de Rojas, Celestina (1499) (English version)
2021This bilingual unit (Spanish/English text and translation, with intro and notes in English) contains a brief introduction to the Spanish masterpiece Celestina, or The Tragicomedy of Calisto and Melibea, and a fragment from a dialogue in Act VII adapted for modern readers with notes, and a short bibliography.
Miguel-Prendes, Sol +2 more
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Janus Head, 2009
In 1971, Picasso pulled sixty-six out of 347etchings first executed in 1968 for an edition of Spanish writer Rojas's Celestina. While the complete group of prints, known as the Suite 347, has been discussed in the context of Picasso's late work, few have considered how the location of the sixty-six prints in Rojas's text affects their reading ...
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In 1971, Picasso pulled sixty-six out of 347etchings first executed in 1968 for an edition of Spanish writer Rojas's Celestina. While the complete group of prints, known as the Suite 347, has been discussed in the context of Picasso's late work, few have considered how the location of the sixty-six prints in Rojas's text affects their reading ...
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Fernando de Rojas, La Celestina
Hispanic Review, 1999Montserrat Piera +2 more
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