Results 41 to 50 of about 160,045 (211)

Revisión de la distribución geográfica del genero Cyrtograpsus en Argentina [PDF]

, 2014
El género Cyrtograpsus, constituye un género exclusivamente marino, el cual se encuentra representado por cuatro especies hasta la fecha endémicas para Sudamérica.
Rojas, Fernando Oscar
core  

How and Why EU Institutions Promote the Digital Euro: The Politics of a Central Bank Digital Currency (CBDC)

JCMS: Journal of Common Market Studies, EarlyView.
Abstract The future of money is a crucial issue in the digital age, and the emergence of central bank digital currencies (CBDCs) is widely recognised as a transformative development. However, despite its significant implications for monetary sovereignty, regulatory governance and strategic autonomy, we know relatively little about the political ...
Sebastian Heidebrecht
wiley   +1 more source

Celestina de Fernando de Rojas: documento bibliográfico

Celestinesca, 1988
N ...
Joseph T. Snow
doaj   +1 more source

Perfumes and perfume-making in the Celestina [PDF]

, 2009
Celestina’s house, as Dorothy Sherman Severin notes, is at the same time ‘a bawdy house, a factory for perfumes and cosmetics, and a symbol of the misrule of a woman empowered by her illegal professions of sorceress, witch and bawd’ (Severin 1995: 45 ...
Twomey, Lesley
core   +1 more source

Humanism at the Council of Constance. Diego de Anaya, Classical Manuscripts and Education in Salamanca

Renaissance Studies, EarlyView.
Abstract Due to their prolonged and multicultural nature, councils functioned historically as hubs for the exchange of ideas, discourse, diplomacy and rhetoric, reflecting broader cultural trends. In the Middle Ages, no international forums were comparable to ecumenical councils, where diverse and influential groups from various regions convened to ...
Federico Tavelli
wiley   +1 more source

Celestina de Fernando de Rojas: documento bibliográfico

Celestinesca, 1989
N ...
Joseph T. Snow
doaj   +1 more source

A mulher no fim da idade média na obra de Fernando Rojas [PDF]

, 2016
IX Congresso Brasileiro de Hispanistas realizado nos dias 22 a 25 agosto 2016La Celestina, obra de Fernando Rojas, transita em uma encruzilhada de gêneros, períodos e problemas e segue a tradição da comedia latina de Plauto e Terencio.
Oliveira, Ester Abreu Vieira de
core  

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Poderoso caballero es Don Dinero : reflexiones en torno al dinero en la literatura española medieval y renacentista [PDF]

, 2008
1 archivo PDF (15 páginas). fhtrigintaseptemEste ensayo realiza un seguimiento del dinero en algunas de las obras que son consideradas canónicas en la literatura española, con el propósito de indagar de qué manera lo económico se ha inscrito en la ...
Fialdini Zambrano, Rossana
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Entre La Celestina y los cancioneros castellanos: Calisto, el mal trovador, y Celestina, la puta vieja y alcahueta

, 2017
Considerar La Celestina como un cancionero, aun con toda la controversia de la definición de este término (Severin 1994, 97), ya fue puesto en marcha por Deyermond en su pionero trabajo sobre tal consideración. Más allá del número de poemas cancioneriles
Oscar Perea-Rodriguez
core   +1 more source