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Festival Review: 72nd Festival de Cannes. Finding Faith in Film
Journal for Religion, Film and Media, 2019 Journal of Religion Film and Media, 5(2), 204 ...
Joel, Mayward
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Jàmbá, 2022 The purpose of this article is to develop a theoretical disaster risk reduction model, creating a virtuous cycle of knowledge and action across the festival and events industry, based on occupational safety and health (OSH) strategic objectives, as ...
Leonie B. Louw, Elriza Esterhuyzen
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Book Review: Playing Host to Deity: Festival Religion in the South Indian Tradition [PDF]
, 2005 A review of Playing Host to Deity: Festival Religion in the South Indian Tradition by Paul ...
Dempsey, Corinne
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The role of mobile applications in the consumer experience at music festivals. [PDF]
, 2015 The ubiquitous capability of smartphones and their rapid uptake among music festival attendees indicates the potential for mobile applications as a tool within this environment.
Dickinson, Janet E., Luxford, A.
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Sustainability Everywhere: Problematising the “Sustainable Festival” Phenomenon [PDF]
, 2014 This conceptual paper focuses on the recent introduction of the idea of “sustainability” in a specific segment of enquiry within the tourism and events research, namely the festival sector.
Zifkos, G
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Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2021 Review of “The Work of Adrienne Kennedy: Inspiration and Influence”. Online theatre festival. November 14 2020 – February 28, 2021.
Lara Cox
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Zora! Festival and The XIIIth CAAR Biennale Conference, Eatonville-Orlando, Florida [PDF]
Литература двух Америк, 2019 The review outlines the history, the major topics and events of the ZORA! Festival of the Arts and Humanities and the XIIIth CAAR biennale conference which took place on January 26 – February 3, 2019 at the UCF, Orlando and Eatonville.
Irina V. Morozova
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Who spends and who does not: Clustering visitors at a national arts festival
South African Journal of Business Management, 2011 The Grahamstown National Arts Festival is the oldest National Arts Festival in South Africa and was founded in 1974. This celebration of the arts takes place over a period of eleven days with the main festival running over eight days, which also makes it
M. Saayman, A. Saayman, E. Slabbert
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Towards a conceptualization of casual protest participation: Parsing a case from the Save Roşia Montană campaign [PDF]
, 2014 There is currently an empirical gap in the literature on protest participation in liberal democracies which has overwhelmingly focused on Western Europe and North America at the expense of Eastern Europe.
Mercea, D.
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Festival Review: 35th Fribourg International Film Festival
, 2021 www.jrfm.eu 2021, 7/2, 143 ...
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