Results 31 to 40 of about 23,577 (206)

“Rostov Text” and Context of A.T. Averchenko’s Creativity between 1918-1919th

open access: yesИзвестия Южного федерального университета: Филологические науки, 2021
The author of the article for the first time refers to a little-known period in the biography of the writer-humorist A.T. Averchenko, who visited the Don in 1918-1919th.
Viktoria D. Milenko
doaj   +1 more source

L’article-feuilleton

open access: yesYod, 2012
The shape not being just a part of formal text, but a communicative element of the contract between the newspaper (its ideology and representations) and its public (here the Arab-Islamic Ummah), we shall examine how some Arab writers-journalists of the ...
Marie-Claire Djaballah Boulahbel
doaj   +1 more source

La géologie en feuilleton

open access: yesFlaubert: Revue Critique et Génétique, 2019
En dépit de son importance dans l’épisode géologique de Bouvard et Pécuchet, De l’enseignement de la géologie, feuilleton fictif résumant l’idée anti-catastrophiste, n’a pas encore été l’objet d’une étude spécifique. Perçu jusqu’à présent comme un simple
Jiwoon Jung
doaj   +1 more source

Ироническое начало в фельетоне Киев-город Михаила Булгакова

open access: yesStudia Rossica Posnaniensia, 2021
The subject of the article is the analysis of the image of Kiev, presented in Mikhail Bulgakov’s feuilleton Kiev, the City. This work has rarely been the subject of in-depth analysis, despite the fact that it is one of the few texts in which the writer ...
Antoni Bortnowski
doaj   +1 more source

An unknown feuilleton of Manuel Ibo Alfaro: "La Virgen de la Pradera"

open access: yesCuadernos de Investigación Filológica, 2013
Localization of an unknown feuilleton by Manuel Ibo Alfaro (1828- 1885). Incorporation of this work to its author’s bibliographic catalog. Its edition in "El Museo Universal" (1865). Analysis of the work.
Julián Tomás Bravo Vega
doaj   +1 more source

“THE IDIOT” BY F. M. DOSTOYEVSKY AND “LES MYSTERES DE PARIS” BY EUGENE SUE: COMMON GROUNDS

open access: yesВестник Кемеровского государственного университета, 2016
The article is about the influence of the “roman-feuilleton” on the novel “The Idiot” by F. M. Dostoyevsky. The article features a number of selected heroes (Nastasiya Filippovna and prince Myshkin) and situations which have analogues with the novel “Les
D. D. Sharapova
doaj   +1 more source

Des Espèces de l’origine : le feuilleton scientifique de Louis Figuier dans La Presse de 1862 [PDF]

open access: yes, 2009
Dans la foulée de travaux ayant exploré la rhétoricité du feuilleton littéraire dans la presse du XIXe siècle, cette étude se penche sur la rhétorique du feuilleton scientifique de Louis Figuier, célèbre vulgarisateur sous le Second Empire et sous la ...
Narayana, Valérie
core   +1 more source

Le Voleur de Georges Darien : une figure romanesque et idéologique de la marge [PDF]

open access: yes, 2018
L’any 1897 El lladre de Georges Darien recorre a la novel·la fulletó per a fer de la pretesa marginalitat de l’heroi lladre encarnat per Georges Randal, un repte literari ple de paradoxes.
Lorig, Aurélien
core   +1 more source

Thematic repertoire of feuilletons about the New Poet and its diachronic transformations

open access: yesШаги
The article discusses the thematic range of feuilletons featuring the New Poet published in the Sovremennik magazine between 1847 and 1862, as well as the changes in their thematics over time.
E. I. Vozhik, R. A. Lisiukov
doaj   +1 more source

STADTMITTE UMSTEIGEN? HEINZ KNOBLOCH AND THE ‘ARCHAEOLOGICAL’ TRACES OF BERLIN'S GHOST STATIONS

open access: yesGerman Life and Letters, Volume 78, Issue 4, Page 527-543, October 2025.
ABSTRACT In 1982, the East German journalist Heinz Knobloch published a volume entitled Stadtmitte umsteigen. Its title was provocative: since the construction of the Berlin Wall, it had not been possible to change trains at Stadtmitte in East Berlin, as one of the two lines functioned only as a transit route between the north and south of West Berlin.
Laura Bradley
wiley   +1 more source

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