Results 61 to 70 of about 8,614,926 (216)

Perfect numbers and Fibonacci primes (I) [PDF]

open access: yesInternational Journal of Number Theory, 2014
In this paper, we introduce the concept of F-perfect number, which is a positive integer n such that ∑d|n,d<n d2 = 3n. We prove that all the F-perfect numbers are of the form n = F2k-1 F2k+1, where both F2k-1 and F2k+1 are Fibonacci primes. Moreover, we obtain other interesting results and raise a new conjecture on perfect numbers.
Tianxin Cai, Liuquan Wang, Yong Zhang
openaire   +5 more sources

A Triple‐Nanoparticle System for Controlled Graphene Nanosheet Stacking: Enabling K/Na‐Ion Battery Anodes with Ultra‐Fast Charging Exceeding Petroleum Vehicle Refueling

open access: yesAdvanced Science, Volume 13, Issue 44, 7 August 2026.
ABSTRACT Large‐ion (K, Na) battery systems mitigate uneven global lithium distribution, while their ability to attain recharge time shorter than refueling would remove the final barrier for secondary batteries to replace petroleum vehicles. However, their large‐ion chemistry makes ultra‐fast charging an even significant challenge.
Shukai Ding   +12 more
wiley   +1 more source

Fibonacci numbers and words

open access: yesDiscrete Mathematics, 1997
zbMATH Open Web Interface contents unavailable due to conflicting licenses.
openaire   +2 more sources

On Matrix‐Based Cryptography Using Matrix Norm and Special Integer Sequences

open access: yesMathematische Nachrichten, Volume 299, Issue 8, Page 2087-2102, August 2026.
ABSTRACT In this paper, a novel matrix‐based encryption approach based on the Affine Hill cipher is presented. The key matrix is constructed using the Narayana integer sequence, and the Frobenius norm of the key matrix is used as a scaling factor in the key construction.
Melih Göcen   +1 more
wiley   +1 more source

The Number of Spanning Trees in Generalized Complete Multipartite Graphs of Fan-Type [PDF]

open access: yes, 2011
Approaching topics such as connected simple graph, k-partite graph, complete graph, tree, Smarandache (E1,E2)-number of ...
Junliang Cai   +3 more
core   +1 more source

Generalized Natural Density DF⁡(Fk) of Fibonacci Word

open access: yesVestnik KRAUNC: Fiziko-Matematičeskie Nauki
This paper explores profound generalizations of the Fibonacci sequence, delving into random Fibonacci sequences, k-Fibonacci words, and their combinatorial properties.
Abdullah, D., Hamoud, J.
doaj   +1 more source

Complete k-ary trees and generalized meta-Fibonacci sequences [PDF]

open access: yesDiscrete Mathematics & Theoretical Computer Science, 2006
We show that a family of generalized meta-Fibonacci sequences arise when counting the number of leaves at the largest level in certain infinite sequences of k-ary trees and restricted compositions of an integer.
Chris Deugau, Frank Ruskey
doaj   +1 more source

An Automatic Maximum Entropy Based Wave Distribution Function (AME‐WDF) Method and Its Application on RBSP Data

open access: yesJournal of Geophysical Research: Space Physics, Volume 131, Issue 8, August 2026.
Abstract Accurate determination of the wave propagation direction is essential for understanding wave–particle interactions in space plasmas as well as the source and propagation characteristics of waves. Traditional wave normal angle (WNA) analysis methods rely on the plane‐wave assumption and cannot describe realistic wave fields with a distribution ...
Ning Kang   +5 more
wiley   +1 more source

Gap terminology and related combinatorial properties for AVL trees and Fibonacci-isomorphic trees

open access: yesAKCE International Journal of Graphs and Combinatorics, 2018
We introduce gaps that are edges or external pointers in AVL trees such that the height difference between the subtrees rooted at their two endpoints is equal to 2.
Mahdi Amani
doaj   +1 more source

Embodied Responses to Harmony and (Poly)Rhythm: An Integrated Ratio‐Based Perception‐Action Framework

open access: yesAnnals of the New York Academy of Sciences, Volume 1562, Issue 1, August 2026.
Harmony and rhythm perception are often studied separately, yet both reveal a shared sensitivity to low‐order integer ratios. In harmony, intervals like the octave (2:1) and fifth (3:2) predict consonance and ease of encoding. In rhythm, patterns with simple ratios (e.g., 2:1, 3:2) are easier to perceive, reproduce, and remember.
Nicola Di Stefano   +2 more
wiley   +1 more source

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