Results 121 to 130 of about 79,695 (280)

Text as tape: On the voice in the late prose of Friederike Mayröcker

open access: yesOrbis Litterarum, EarlyView.
Abstract For a text to have a voice means to be caught in a paradox: the text obviously does not speak, so what is that tone rising from the pages? Taking hold of a striking ambivalence, this essay examines the relationship between text and voice in the late prose of Austrian poet Friederike Mayröcker.
Astrid Elander
wiley   +1 more source

Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead

open access: yesOrbis Litterarum, EarlyView.
Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley   +1 more source

How crime dramas influence perception of crime [PDF]

open access: yes, 2019
Television crime dramas are becoming more and more popular, introducing new shows and spin-offs every year. With their growing popularity, it is important to study the possible impacts that they could have on society, and people’s views of crime and ...
Hogan, Abby
core   +1 more source

Trauma and affect in a Holocaust survivor's story: Rosita Fanto's novel Rozalia Alone

open access: yesOrbis Litterarum, EarlyView.
Abstract My article endeavors to redress the neglect of Rosita Fanto's Rozalia Alone (2010), which deals with a page of history that is less known worldwide, the Holocaust in Romania. Using a trauma studies perspective that mixes with affect theory, the article demonstrates that Rozalia Alone covers in a nutshell the whole magnitude of the late 1930s ...
Arleen Ionescu
wiley   +1 more source

[Review of] David Cook and Michael Okenimkpe. Ngugi wa Thiong\u27O: An Exploration of His Writings [PDF]

open access: yes, 1984
The two professors of English at Nigerian universities who jointly prepared this small book did three things well. They produced an excellent critical study of Ngugi\u27s writings, amply footnoted and indexed; they presented interesting facts about the ...
Bright, Jean
core   +1 more source

“Strange can be quite normal”: How the environmental crisis becomes present in Han Kang's and Samanta Schweblin's “constructively alienating” environmental fiction

open access: yesOrbis Litterarum, EarlyView.
Abstract This article presents the concept “constructive alienation” as a response to the oversaturation of apocalyptic environmental fiction that has contributed to deep‐seated desensitization toward the climate crisis, resulting in crisis of imagination (Ghosh, The Great Derangement: Climate change and the unthinkable, 2016; Solnit, If you win the ...
Agnethe Brounbjerg Bennedsgaard
wiley   +1 more source

The "grand tour" and the "Risorgimento": Italy's romantic imaginary in French literature

open access: yesGragoatá, 2012
This essay will examine some accounts of French travelers-writers of the nineteenth century, which, in the tradition of the grand tour, described in textual pictures and ecfrasis an imaginary of plastic beauty related to Italian scenes and landscapes ...
Celina Maria Moreira de Mello
doaj  

Occasion and audience as poetic constructs in early modern occasional poetry

open access: yesOrbis Litterarum, EarlyView.
Abstract Occasional poetry, composed for specific events such as weddings or funerals, was a dominant form of poetry in early modern Europe. Despite its historical prominence, the role of the occasion as a literary and rhetorical construct in occasional poetry has been very little studied.
Eeva‐Liisa Bastman
wiley   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

open access: yesPacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

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