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2020
It is still Weizsacker to show that rather than a clear contrast (usually already referring to the names of Plato and Aristotle and to the competition between the concepts of eidos and morphe) it is a necessary correlation and a way through which the fundamental problem of unity of knowledge is placed.
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It is still Weizsacker to show that rather than a clear contrast (usually already referring to the names of Plato and Aristotle and to the competition between the concepts of eidos and morphe) it is a necessary correlation and a way through which the fundamental problem of unity of knowledge is placed.
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Figures et figuration d'Anacréon galant
Littératures classiques, 2012Anacréon constitue un modèle paradoxal : son œuvre presque entièrement disparue est cependant constamment imitée, et sa biographie lacunaire l’assimile tantôt à un sage tantôt à un vieillard galant, au sens parfois péjoratif du terme. La question s’est posée, pour ses émules et imitateurs, de faire coïncider ces deux figures en apparence ...
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Figures de mots, figures d’images
Figures de l'Art. Revue d'études esthétiques, 2001Cet article aborde la question de la polysémie du terme “figure” et de ses dérivés. Par exemple, “figuré” signifie — en français comme en anglais — à la fois métaphorique et représentatif . La question est alors : jusqu’où pouvons-nous employer le même terme de “figure” pour décrire à la fois un style rhétorique et un style plastique ?
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2013
Die Arbeit nimmt Werke Hanna(h) Höchs (1889-1978) in den Blick, die zwischen ihrer Tätigkeit als Entwurfszeichnerin und dem Engagement bei avantgardistischen Kunstbewegungen der Zeit, allen voran dem Berliner Dada-Club, angesiedelt sind. In vier Kapiteln wird dabei je unterschiedlichen Werkserien auf den Grund gegangen, in denen Verfahren der ...
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Die Arbeit nimmt Werke Hanna(h) Höchs (1889-1978) in den Blick, die zwischen ihrer Tätigkeit als Entwurfszeichnerin und dem Engagement bei avantgardistischen Kunstbewegungen der Zeit, allen voran dem Berliner Dada-Club, angesiedelt sind. In vier Kapiteln wird dabei je unterschiedlichen Werkserien auf den Grund gegangen, in denen Verfahren der ...
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2017
Based on a comparison of the diorama of La Grande Semaine — a depiction by the designers Sem and Roubille of characters from Parisian high society as figurines, an exposition that ends in 1910 with a lecture by Robert de Montesquiou — and À la recherche du temps perdu, this text reveals in Proust’s work the presence on the one hand of an everyday ...
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Based on a comparison of the diorama of La Grande Semaine — a depiction by the designers Sem and Roubille of characters from Parisian high society as figurines, an exposition that ends in 1910 with a lecture by Robert de Montesquiou — and À la recherche du temps perdu, this text reveals in Proust’s work the presence on the one hand of an everyday ...
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The American Journal of Forensic Medicine and Pathology, 1996
The majority of cutaneous injuries seen in victims struck by lightning are superficial and heal without sequelae. Common cutaneous findings associated with lightning strike include punctate full-thickness burns, linear charring, and contact burns from overlying metal objects.
B I, Resnik, C V, Wetli
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The majority of cutaneous injuries seen in victims struck by lightning are superficial and heal without sequelae. Common cutaneous findings associated with lightning strike include punctate full-thickness burns, linear charring, and contact burns from overlying metal objects.
B I, Resnik, C V, Wetli
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Matériaux pour l'histoire de notre temps, 1988
Tomazi Georges. Figurant d'époque. In: Matériaux pour l'histoire de notre temps, n°14, 1988. Mémorandum de la BDIC. L'année 1938, sous la direction de Stéphane Courtois. pp. 37-39.
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Tomazi Georges. Figurant d'époque. In: Matériaux pour l'histoire de notre temps, n°14, 1988. Mémorandum de la BDIC. L'année 1938, sous la direction de Stéphane Courtois. pp. 37-39.
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Endeavour, 2009
Renaissance philosophers believed that God had created a harmonious cosmos bonded together mathematically. This intellectual approach was also embraced by some artists, who incorporated complex numerical and geometrical symbolism within their portraits.
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Renaissance philosophers believed that God had created a harmonious cosmos bonded together mathematically. This intellectual approach was also embraced by some artists, who incorporated complex numerical and geometrical symbolism within their portraits.
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Hastings Center Report, 2012
Abstract“Authority Figures”: letters from Robert M. Veatch and Richard W. Clark about “What Health Care Providers Know” (September‐October 2011), with a reply from Daniel Groll; “Research Is Care”: a letter from Nancy M.P. King about “Can Research and Care Be Ethically Integrated?” (July‐Aug 2011); “An Unintended Misrepresentation”: a letter from ...
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Abstract“Authority Figures”: letters from Robert M. Veatch and Richard W. Clark about “What Health Care Providers Know” (September‐October 2011), with a reply from Daniel Groll; “Research Is Care”: a letter from Nancy M.P. King about “Can Research and Care Be Ethically Integrated?” (July‐Aug 2011); “An Unintended Misrepresentation”: a letter from ...
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Biosecurity and Bioterrorism: Biodefense Strategy, Practice, and Science, 2004
Molly D'Esopo, Jennifer B. Nuzzo
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Molly D'Esopo, Jennifer B. Nuzzo
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