Dynamische Konzeptionen der 'brevitas' : Filippo Tommaso Marinettis rhetorische Kraftformen [PDF]
, 2022 Ambiguitäten der futuristischen Wortkunst zielen im Kern selbst auf die Aporien der avantgardistischen Programmatik, die durch die Aufhebung der Trennung von Kunst und Leben einmal mehr ihre Bezugsgrößen verunklart. Im Zentrum der folgenden Überlegungen stehen die rhetorischen Voraussetzungen, die ein derartiges entdifferenzierendes ...
Haupt, Caroline, Traupmann, Thomas
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Reflections on Technique in "A Cut-Conversation on Techno-Aesthetics"
Journal of Science and Technology of the ArtsThe observation, or invitation, from Gilbert Simondon’s (unsent) letter to Jacques Derrida, that “[c]ertain aesthetic objects call for a technical analysis,” encapsulates not only the ambitions of A Cut-Conversation on Techno-Aesthetics by Catarina ...
Annie van den Oever, Sanna McGregor
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Recherches & TravauxThe avant-garde manifesto, a text of “total commitment” (Burger, 2006), is often associated with the leaders of the three historical avant-garde movements: Futurism, Dada and Surrealism. Indeed, the virility of the manifesto, combined with its disruptive
Sarah-Jeanne Beauchamp Houde
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Proprioceptive art: How should it be defined, and why has it become so popular? [PDF]
Iperception, 2022 Spence C.
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The Long Shadow of Fatalism: a Philosophical Speculation on Forster's "the Machine Stops" (1909) on the Disintegration of Technologically Advanced Societies Back Then and Today. [PDF]
Philos Manag, 2021 Seele P.
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The War Diaries of Filippo Tommaso Marinetti and Ernst Jünger
International Yearbook of Futurism Studies, 2012 Abstract: This paper offers a philological and thematic comparison of the war diaries written by Filippo Tommaso Marinetti (1876-1944) and Ernst Jünger (1895-1998). Marinetti's notebooks were only published posthumously in an incomplete and censored version, whereas Jünger's text has been faithfully edited.
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Ivo Pannaggi as a Painter, Architect and Synthetic Caricaturist
RA. Revista de ArquitecturaIvo Pannaggi started as illustrator and painter. He was among the many artists active at the Casa d’arte Bragaglia opened in Rome in 1918 together Giacomo Balla and Filippo Tommaso Marinetti. Thus Pannaggi joined the so-called “second futurism”.
Manuel Orazi
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Roughness perception: A multisensory/crossmodal perspective. [PDF]
Atten Percept Psychophys, 2022 Di Stefano N, Spence C.
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PerspectiveThe end of the 19th century in Europe saw the spread of naturist utopias which, in reaction to the industrialisation of society, advocated a regeneration of the body based on renewed contact with nature, nudism and pacifism.
Sara Vitacca
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The avid eaters of lives. New and old infectious diseases in Italy at the time of World War I: a historical overview of military medicine and public health. [PDF]
J Prev Med Hyg, 2021 Martini M +4 more
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