Results 1 to 10 of about 600,699 (191)

Functional, emotional, and physical dimensions of voice fatigue among music teachers at a private arts university in Sichuan, China: a cross-sectional survey [PDF]

open access: yesFrontiers in Public Health
PurposeVoice fatigue is a significant occupational hazard for professional voice users, yet it remains within private higher education institutions in China. This study aims to conduct a multidimensional analysis of voice fatigue in music teachers from a
Zi Zhang, Zi Zhang, Mei Foong Ang
doaj   +2 more sources

The effect of music background on the emotional appraisal of film sequences [PDF]

open access: yesPsihologija, 2011
In this study the effects of musical background on the emotional appraisal of film sequences was investigated. Four pairs of polar emotions defined in Plutchik’s model were used as basic emotional qualities: joy-sadness, anticipation-surprise, fear ...
Pavlović Ivanka, Marković Slobodan
doaj   +4 more sources

The role of John Williams’ music in Schindler’s List and Saving Private Ryan [PDF]

open access: yesSHS Web of Conferences, 2023
It can be said that music is an essential part of a film, and a good commercial film has good music to render it to a large extent. There are three levels of music appreciation in film: analyzing the music itself, incorporating the music into the film ...
He Yulin
doaj   +1 more source

LEARNERS’ ATTITUDE TOWARDS PRACTICAL MUSICIANSHIP IN SECONDARY SCHOOLS IN BUNGOMA COUNTY

open access: yesAfrican Musicology Online, 2021
Researchers across the globe have found huge support for music as a necessary component of an adolescent’s life. Since music seems to be such an important part of young people’s identity and it influences many aspects of their behaviour, the topic of ...
Isaac W. Shitubi   +2 more
doaj   +1 more source

ENHANCING THE DEVELOPMENT OF PRACTICAL MUSICIANSHIP AMONG SECONDARY SCHOOLS IN BUNGOMA COUNTY: AN ASSESSMENT OF THE STUDENTS’ LEARNING ACTIVITIES

open access: yesAfrican Musicology Online, 2021
Many scholars of music such as Kodaly, Dalcroze and Campbell have argued for the need of developing practical musicianship among learners in Music Education.
Isaac W. Shitubi   +2 more
doaj   +1 more source

Confronting Realities – First Steps Working on Cinematic Autosociobiographies

open access: yesInternational Journal of Film and Media Arts, 2020
This paper provides a case study of the artistic research project Confronting Realities – First Steps. Working on Cinematic Autosociobiographies conducted at the Film Academy Vienna/ mdw – University of Music and Performing Arts Vienna, Austria as well ...
Barbara Wolfram   +4 more
doaj   +1 more source

Gaussian Process Synthesis of Artificial Sounds

open access: yesApplied Sciences, 2020
In this paper, we propose Gaussian Process (GP) sound synthesis. A GP is used to sample random continuous functions, which are then used for wavetable or waveshaping synthesis.
Aristotelis Hadjakos
doaj   +1 more source

Emotion resonance and divergence: a semiotic analysis of music and sound in 'The Lost Thing', an animated short film and 'Elizabeth' a film trailer [PDF]

open access: yes, 2020
Music and sound contributions of interpersonal meaning to film narratives may be different from or similar to meanings made by language and image, and dynamic interactions between several modalities may generate new story messages.
Barton, Georgina, Noad, Betty
core   +1 more source

Music as word: Film music - superlibretto? [PDF]

open access: yesMuzikologija, 2013
The aim of his paper is to prove that film music can be understood as authentic narrative force: film music as word / discourse and its superlibretto status.
Ćirić Marija
doaj   +1 more source

Melodies of Desire and Darkness: Personifying Eros and Thanatos through Film Music in Morte a Venezia and La Pianiste

open access: yesTürkiye Film Araştırmaları Dergisi, 2023
Sound and music, a significant issue in film studies, and associated phenomena, such as leitmotiv and diegetic/ non-diegetic music are essential notions as they serve many functions in the film experience of the audience.
Fatma Betül Ataş
doaj   +1 more source

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