Results 1 to 10 of about 65,879 (207)

The Soundtrack of a Clinic Day. [PDF]

open access: yesAnn Fam Med
There is a hum and drum to the clinical day, sounds and rhythms that pervade physician and patient's soundscape. We hear but we do not listen. The soundtrack of the daily grind is experienced as an audio blanket of white noise. Often taken for granted, we suggest the sounds of practice form an important role in our daily lives as family doctors. Masked
Kelly MA, Gormley G.
europepmc   +3 more sources

I am Sitting in a Room, Listening to Mank

open access: yesScreenworks, 2021
The soundtrack for Mank (David Fincher, 2020) raises interesting questions about the reception of film sound in the domestic viewing/listening space. The ‘spatialisation’ of the film’s soundtrack through a process of re-recording on the Skywalker Scoring
Cormac Donnelly
doaj   +1 more source

Music and Time Perception in Audiovisuals: Arousing Soundtracks Lead to Time Overestimation No Matter Their Emotional Valence

open access: yesMultimodal Technologies and Interaction, 2021
One of the most tangible effects of music is its ability to alter our perception of time. Research on waiting times and time estimation of musical excerpts has attested its veritable effects.
Alessandro Ansani   +3 more
doaj   +1 more source

Music Scoring for Film Using Fruity Loops Studio [PDF]

open access: yesE3S Web of Conferences, 2020
Making music for a film can be said to be quite challenging for some people with the necessity that music can evoke the atmosphere in the film. Determination and placement of audio aspects into visual form are things done in the music scoring process. Of
Febrian Arsya   +3 more
doaj   +1 more source

How Soundtracks Shape What We See: Analyzing the Influence of Music on Visual Scenes Through Self-Assessment, Eye Tracking, and Pupillometry

open access: yesFrontiers in Psychology, 2020
This article presents two studies that deepen the theme of how soundtracks shape our interpretation of audiovisuals. Embracing a multivariate perspective, Study 1 (N = 118) demonstrated, through an online between-subjects experiment, that two different ...
Alessandro Ansani   +5 more
doaj   +1 more source

Songs in the Narrative Structure of Video Games: Functions and Features [PDF]

open access: yesХудожественная культура
The article gives a brief overview of the game industry in Russia and in the world, emphasizes the role of the game studies discipline in the evolution of approaches to video games research.
Yunakov Andrei A.
doaj   +1 more source

Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera

open access: yesInterfaces, 2022
Early film theorist Ricciotto Canudo equated cinema with music because of the Seventh Art’s inherent plasticity; in the 21st century, plasticity extends to the soundtrack.
Fátima Chinita
doaj   +1 more source

Audio History of Film: Introduction

open access: yesResearch in Film and History, 2018
The relationship between film and history has assumed many and varied forms over the course of time. During the twentieth century, film increasingly became a medium through which contemporary political and historical events were discussed and interpreted.
Pauleit, Winfried   +2 more
doaj   +1 more source

NAMELESS STAR: EDISON DENISOV’S MUSIC IN THE DISCOURSES OF AN UNORDINARY STORY / «БЕЗЫМЯННАЯ ЗВЕЗДА»: МУЗЫКА ЭДИСОНА ДЕНИСОВА В ДИСКУРСАХ НЕОБЫКНОВЕННОЙ ИСТОРИИ

open access: yesНаука телевидения, 2021
The article addresses the 1978 film Nameless Star (directed by Mikhail Kozakov, music by Edison Denisov) as one of the few examples of on-screen art in which music not only supports the story, but comes to the fore, becoming one of its characters ...
NAUMENKO TATIANA I. / НАУМЕНКО Т.И.   +1 more
doaj   +1 more source

Creeping decay: cult soundtracks, residual media, and digital technologies [PDF]

open access: yes, 2015
This paper explores the recent resurgence in the collecting of cult film soundtracks, in particular films stemming from the late 1960s to the early 1980s and often linked to horror and other modes of exploitation cinema.
Sexton, Jamie
core   +1 more source

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