Results 41 to 50 of about 65,898 (226)

Southern Discomfort: Clanking, Rattling, and Screaming in The Texas Chain Saw Massacre (Tobe Hooper, 1974)

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2021
The article analyzes the role played by both the diegetic sounds and the music in The Texas Chain Saw Massacre (Tobe Hooper, 1974). Resorting to some atonal score made of jarring notes coupled with diegetic sounds of the most bizarre sort (from the ...
Christophe Chambost
doaj   +1 more source

Promoting Foreign Language Enjoyment Through Displaying Affiliation in Collaborative Digital Multimodal Composing in Hong Kong ESL Classrooms: Insights From Translanguaging and Transpositioning Perspectives

open access: yesInternational Journal of Applied Linguistics, EarlyView.
ABSTRACT Studies on classroom interactions suggest that displaying affiliation through linguistic and multimodal resources could promote positive emotions like enjoyment, thereby enhancing engagement and enthusiasm in second/foreign language learning.
Karen C. K. Choi, Kevin W. H. Tai
wiley   +1 more source

Muzyczny eklektyzm w trzech etiudach Romana Polańskiego. Rozbijemy zabawę, Lampa i Gdy spadają anioły

open access: yesImages, 2017
Author of the article, juxtaposing together three studies school of Roman Polanski, discusses the functions of music used in each of them. Due to the fact that the entire work the author of the Pianist’s is characterized by musical eclecticism – which ...
Piotr Pomostowski
doaj   +1 more source

How Wagner Landed in a Far Away Galaxy: Examining Film from a Musical Perspective

open access: yesMusical Offerings, 2023
What does music add to drama, or more specifically, movies? Without music, movies today would not be the same. When it comes to creating a film, the soundtrack is arguably just as important as videography or acting.
Elise J. Camillone
doaj   +1 more source

City-Identification of Flickr Videos Using Semantic Acoustic Features

open access: yes, 2016
City-identification of videos aims to determine the likelihood of a video belonging to a set of cities. In this paper, we present an approach using only audio, thus we do not use any additional modality such as images, user-tags or geo-tags.
Chao, Guan-Lin   +3 more
core   +1 more source

Generative AI and the Future of Musical Diversity

open access: yesTopics in Cognitive Science, EarlyView.
Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
wiley   +1 more source

Music and the Media, with Particular Attention to the Film [PDF]

open access: yesIn Medias Res, 2013
This report has originated from the need to synthesize, without any claims, the big love between these two forms of art, music and the cinema, which together conceive a unique sublime art.
Fulvio Šuran
doaj  

Affordance to Kill: Sound Agency and Auditory Experiences of a Norwegian Terrorist and American Soldiers in Iraq and Afghanistan

open access: yesTransposition, 2020
During the wars in Iraq and Afghanistan, some American soldiers commonly listened to music in order to “motivate” themselves before action. Previous studies have shown that their most frequent choices to this effect pertained to two genres: “gangsta” rap
Victor A. Stoichita
doaj   +1 more source

Material Gworls: Consumption and Cosmopolitanism From Jamaica to Japan

open access: yesAnthropology of Work Review, Volume 47, Issue 1, July 2026.
ABSTRACT This article is part of the special issue “Racialization and the gig economy”, Anthropology of Work Review 47(1), June 2026, edited by Shreya Subramani and Christien Tompkins. Amidst the economic precarity exacerbated by neoliberal policies of the 20th century, Jamaican women look beyond the island's shores to find financial stability.
Roxanne Kimberly Dobson
wiley   +1 more source

The Call of the Beyond: Music in Antonioni’s Red Desert

open access: yesНаука телевидения, 2018
This article discusses Michelangelo Antonioni’s use of music in his 1964 film Red Desert (Il deserto rosso). Before Red Desert, Antonioni had avoided the Hollywood convention of the near-continuous musical score, and made only very sparing use of largely
Frolova-Walker Marina
doaj   +1 more source

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