Results 31 to 40 of about 65,898 (226)

Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2021
Comprised of eight articles that focus on mainstream and even independent cinema from the silent era to the 21st century, this issue explores the creative possibilities of music in US-American cinema and aims to contribute to a renewal of methodological ...
Céline Murillo, David Roche
doaj   +1 more source

Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini

open access: yesFilm-Philosophy, 2023
This article considers how poetry features in Pasolini’s cinema. It argues that the manner in which Pasolini films poetry provides insight into his theory of an affinity between poetry and film, and into more general judgements concerning social reality.
Thomas Allen
doaj   +1 more source

Audio-based event detection for sports video [PDF]

open access: yes, 2003
In this paper, we present an audio-based event detection approach shown to be effective when applied to the Sports broadcast data. The main benefit of this approach is the ability to recognise patterns that indicate high levels of crowd response which ...
A.K. Jain   +6 more
core   +5 more sources

The soundtrack to the film as a special type product placement (Саундтрек у кінопродукції як особливий вид product placement) [PDF]

open access: yes, 2012
Product Placement was analized: its peculiarities and species, including the soundtrack to the film. Concept of «soundtrack» and its relation to Product Placement were substantiated too.
Дарда, С. (S. Darda)   +1 more
core  

Selecting films for sex research: Gender differences in erotic film preference [PDF]

open access: yes, 2003
The official published version can be obtained from the link below.The aim of this study was to explore gender differences in sexual responsiveness to erotic films that had been selected for their differential appeal for men and women.
Carpenter, D, Graham, CA, Janssen, E
core   +1 more source

Subjectification and Chronotopes in Early‐Career TESOL Teachers' Professional Development in Japan

open access: yesTESOL Quarterly, EarlyView.
Abstract This study presents case studies of three early‐career secondary TESOL teachers in Japan, focusing on their professional development experiences. Their narratives were collected in two phases: (1) reflective reports submitted by the teachers during the fourth year of their teacher training, which included reflections on their previous L2 ...
Yoshiyuki Nakata   +2 more
wiley   +1 more source

Recording and Modeling: On the Desire for Presence in Historical Documentaries

open access: yesResearch in Film and History, 2018
While it might already seem unusual to turn attention first and foremost to the soundtrack in a study of documentary film,1 it probably seems even more unusual if the field of study is limited to the use of sound in historical (television) documentaries.
Öhner, Vrääth
doaj   +1 more source

One's own soundtrack: Affective music synthesis [PDF]

open access: yes, 2009
Computer music usually sounds mechanical; hence, if musicality and music expression of virtual actors could be enhanced according to the user's mood, the quality of experience would be amplified. We present a solution that is based on improvisation using
Fuschi, D, Khan, A
core  

Psycho and The Orchestration of Anxiety [PDF]

open access: yes, 2010
Since its release in 1960, Alfred Hitchcock’s Psycho has entered the consciousness of our culture as have few other films. Its striking imagery, combined with its universally recognised score, has prompted a wealth of scholarly output.
Deutsch, Stephen
core   +1 more source

Bridging Leadership Development and Hip‐Hop Culture: Empowering Black Students Through Culturally Responsive Educational Approaches

open access: yesNew Directions for Student Leadership, Volume 2025, Issue 185, Page 89-95, Spring 2025.
ABSTRACT Hip‐hop music and culture have existed for decades in the United States. Since the 1970s, five critical elements have been defined as parts of hip‐hop culture: the MC (oral), the DJ (aural), graffiti (visual), knowledge (mental), and breakdancing (physical).
Jesse R. Ford   +2 more
wiley   +1 more source

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