Results 21 to 30 of about 600,816 (308)
Bees, Extinction and Ambient Soundscapes: An Exploratory Environmental Communication Workshop
Humanities, 2019 As a response to the challenges that visual communication, popularly used in environmental communications, poses for more embodied engagements with climate change, this article focuses upon the neglected role of sound within environmental and climate ...
Rosamund Portus, Claire McGinn
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The Musical Arrangement of a Live-Action Film
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво, 2021 The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works.
Лілія Єременко +1 more
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Creeping decay: cult soundtracks, residual media, and digital technologies [PDF]
, 2015 This paper explores the recent resurgence in the collecting of cult film soundtracks, in particular films stemming from the late 1960s to the early 1980s and often linked to horror and other modes of exploitation cinema.
Sexton, Jamie
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Alphaville: Journal of Film and Screen Media, 2020 Alphaville Issue 19 is characterised by a distinct focus on intermediality, interartiality and intertextuality. Both of the issue’s main sections aim to shed light on some of the ways in which music and the moving image have intersected historically ...
Laura Rascaroli
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Musica Docta, 2012 Beyond the Soundtrack: Representing Music in Cinema (edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert, Berkeley, University of California Press, 2007, viii-324 pp.) offers sixteen essays of various authors about film music.
Francesco Finocchiaro
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Performing the intermedial across Brazilian cinema
Alphaville: Journal of Film and Screen Media, 2020 Intermediality as a theoretical and methodological perspective champions impurity. Overall, it is concerned with the interaction, contamination, and mixture between different media, breaking down existing barriers that currently exclude hybrid forms of ...
Tamara Courage, Albert Elduque
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Narration and film music diegetic and non-diegetic music in film [PDF]
Kultura, 2012 In analyses of music and film interaction, the interpretative approach to film music has usually been given through the picture and music/ sound relation. It has been considered predominantly through the prism of mimetic theories that take the act of visualization for their model.
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Musica Docta, 2022 This article examines some of the issues inherent in the film music archive type, in particular those that the author was able to visit in Italy during his research activity.
Roberto Calabretto
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Film Music Cues: Visualizing Social Reality Through Music and Film
Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l'ACSI, 2016 Taxonomies may contain functional vocabulary and display relationships among concepts to facilitate the work of a domain. Silent film music is a work-based genre of musical performance. Musicians worked from cue-sheets of musical terms. This paper describes the conversion of a working list of musical cues into a taxonomy.
Richard P. Smiraglia, Joshua A. Henry
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Soundtrack Music Videos: The Use of Music Videos as a Tool for Promoting Films
Communication & Society (Formerly Comunicación y Sociedad), 2021 The soundtrack music video is an audiovisual format used by the cultural industries of film and music as a commercial communication tool, since it is based on a song from the soundtrack of a film, so that both the artist that performs the song and the ...
David Selva-Ruiz, Desirée Fénix-Pina
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