Results 31 to 40 of about 79,025 (165)

Early African-American Film Database, 1909–1930

open access: yesJournal of Open Humanities Data, 2018
This dataset covers silent “race films”: films created before the year 1930 featuring African-Americans for primarily African-American audiences. The data was collected through research utilizing a wide variety of primary and secondary sources.
Marika Cifor   +3 more
doaj   +1 more source

Cinéma-monde?

open access: yesFrancosphères, 2012
This article will begin to answer the question: what might happen if a decentred view of Francophone Cinema were to emerge? It will go beyond the definition of ‘Francophone Cinema’ as simply the ‘Other’ to metropolitan film production and examine the ...
Bill Marshall
doaj   +1 more source

Exploring the aspirations of young people to work in the British film industry through comparative focus groups in London secondary schools

open access: yesFilm Education Journal, 2020
This article explores the findings of research conducted with two focus groups of English high school students in 2018 that centred on the aspirations of young people to work in the British film industry.
doaj   +2 more sources

The Image of the US Army in American movies: The Soft Power of American Cinema

open access: yesJournal of Political Science: Bulletin of Yerevan University
The formation of the army's image has acquired newfound significance in our time. Paradoxically, alongside the spread of humanist ideology, the number of violent conflicts worldwide is increasing.
Yuliana Melkumyan   +2 more
doaj   +1 more source

Professor Janet Wasko: An Interview with the President of the IAMCR and one of the Key Representatives of the Political Economy of Communication Approach

open access: yestripleC: Communication, Capitalism & Critique, 2014
This paper presents an interview with Janet Wasko. She is a Professor and Knight Chair in Communication Research at the University of Oregon’s School of Journalism and Communication and widely considered as one of the key authors working in the tradition
Jernej Amon Prodnik, Janet Wasko
doaj   +1 more source

Évolution des relations entre État et cinéma au Royaume-Uni (1979-2005)

open access: yesRevue LISA, 2007
A government can adopt two different stances regarding its domestic film industry. It may choose to support and protect it because of its cultural remit – or it may treat it like any other industry and adopt a laissez-faire attitude and let market forces
Cecilia Tirtaine
doaj   +1 more source

ANALYSIS OF THE DEVELOPMENT OF THE AUDIOVISUAL CLUSTER IN THE REGION (BASED ON INTERNATIONAL EXPERIENCE)

open access: yesНаучно-технические ведомости СПбГПУ: Экономические науки, 2020
This study is devoted to the analysis of the organization process and the initial stage of the regional audiovisual cluster. Elements of regional policy reform and the process of public-private dialogue in the context of creating an audio-visual cluster ...
Lanina Lilia   +2 more
doaj   +1 more source

Technological and environmental drivers of changes in business model. The film industry perspective

open access: yesEconomics and Environment
This article provides the first research on the importance of technological and environmental factors in the context of innovation and strategic management in the film industry.
Agnieszka Orankiewicz   +1 more
doaj   +1 more source

DEVELOPMENT STRATEGIES IN THE FILM INDUSTRY IN THE REPUBLIC OF MOLDOVA [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică
During the Soviet period, Moldovan cinematography experienced a significant development, being state-supported and considered a propaganda tool The Moldova-Film studio, established in 1952, played an important role in the production of feature and ...
TIMOTIN, LUDMILA
doaj   +1 more source

Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US

open access: yesAD Research
Objective: To establish a model and then consider whether that model will continue to function in the future. Almodóvar’s typical production-distribution structure and exportable filmmaking style are outlined, as are his US distributor’s strategic use of
Jennifer Green
doaj   +1 more source

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