Results 41 to 50 of about 3,561,139 (341)
„Amadeusz”. Miloš Forman i Peter Shaffer
The study is devoted to Miloš Forman’s film, a story about Mozart’s life, taken from Peter Shaffer’s drama. The author proposes a detailed analysis of Forman’s film as an autonomous work in the production of which the film was a medium.
Małgorzata Choczaj
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The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film
How do filmmakers work with pre-existing music? To answer this question, I conducted interviews with the musicians, composers, editors, sound designers, and music researchers for Lars von Trier's films.
Pascal Rudolph
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Twentieth-century art music composed by Bartók, Ligeti and Penderecki constitutes a large portion of the soundtrack for Stanley Kubrick’s 1980 film adaptation of Stephen King’s novel, The Shining.
Sarah Lucas
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Background music is an indispensable part of films and plays an important role in enhancing audiences’ attention to scenes. However, few studies have examined the cognitive effect of background music at the neurophysiological level.
Youngju Kwon, Jong-Hyun Lee, Slgi S. Lee
semanticscholar +1 more source
A computational lens into how music characterizes genre in film
Film music varies tremendously across genre in order to bring about different responses in an audience. For instance, composers may evoke passion in a romantic scene with lush string passages or inspire fear throughout horror films with inharmonious ...
Benjamin Ma +3 more
semanticscholar +1 more source
Epilepsy‐Associated Variants of a Single SCN1A Codon Exhibit Divergent Functional Properties
ABSTRACT Objective Pathogenic variants in SCN1A, which encodes the voltage‐gated sodium channel NaV1.1, are associated with multiple epilepsy syndromes exhibiting a range of clinical severity. SCN1A variants are reported in different syndromes, including Dravet syndrome, which is associated with loss‐of‐function, whereas neonatal/infantile‐onset ...
Lanie N. Liebovitz +3 more
wiley +1 more source
The Jazziness of a Film – the Filmicness of Jazz. About the Music of Krzysztof Komeda in the Short Films of Roman Polański The relationship between a film director and the composer of the film soundtrack is an exceptionally interesting research subject.
Piotr Pomostowski
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The Soundtrack (Putting Music in Its Place) [PDF]
There are currently many books and journals on film music in print, most of which describe music as a separate activity from film, applied to images most often at the very end of the production process by composers normally resident outside the filmic ...
Deutsch, Stephen
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Self‐Healing and Stretchable Synaptic Transistor
A self‐healing stretchable synaptic transistor (3S‐T) is realized using a p‐PVDF‐HFP‐DBP/PDMS‐MPU‐IU bilayer as gate insulator, where dipole‐dipole interaction enhances polarization to achieve a large memory window. Leveraging its neuronal biomimicry, the synaptic transistor demonstrates electrically compatibility with the biological brain. Furthermore,
Hyongsuk Choo +10 more
wiley +1 more source
Forgetting аbout traumatic past? On the position of film music composers in post-WWII germany [PDF]
This paper presents selected German film music composers who were active in Germany during the inter-war period as musicians trying to regain their position and renegotiate their role in the German post-war society marked by trauma and ...
Piotrowska Anna G.
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