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Terrifying film music mimics alarming acoustic feature of human screams.
Journal of the Acoustical Society of America, 2020 One way music is thought to convey emotion is by mimicking acoustic features of affective human vocalizations [Juslin and Laukka (2003). Psychol. Bull. 129(5), 770-814].
C. Trevor, Luc H. Arnal, S. Frühholz
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Internet of Things Recognition and Sensing Technology in Interactive Display Communication
IEEE Access, 2019 To study how to display the scientific and technological information of enterprise products through interactive dissemination and make a pre-marketing, the Internet of Things is integrated and how to attract people's attention and interact more with the ...
Jiangtao Li
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, 2020 The literature review reveals different conceptual and methodological challenges in the field of music and emotion, such as the lack of agreement in terms of standardized datasets, and the need for replication of prior findings.
Nieves Fuentes-Sánchez +3 more
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Creeping decay: cult soundtracks, residual media, and digital technologies [PDF]
, 2015 This paper explores the recent resurgence in the collecting of cult film soundtracks, in particular films stemming from the late 1960s to the early 1980s and often linked to horror and other modes of exploitation cinema.
Sexton, Jamie
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Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2021 Comprised of eight articles that focus on mainstream and even independent cinema from the silent era to the 21st century, this issue explores the creative possibilities of music in US-American cinema and aims to contribute to a renewal of methodological ...
Céline Murillo, David Roche
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, 2020 The aim of the present study was to investigate which musical emotions and associations appeared while listening to leitmotifs in film music. A sample of 157 participants took part in the study, in which musical associations and emotions were analysed in
Maria Chełkowska-Zacharewicz +1 more
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Sound, voice, music: Editorial
Alphaville: Journal of Film and Screen Media, 2012 Not so long ago, film music scholars complained habitually that, despite its established and powerful role in the media economy of film, music was being neglected by film and music studies alike.
Danijela Kulezic-Wilson +2 more
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I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959) [PDF]
, 2017 Franz Waxman composed over 150 film scores, the most famous of which is Billy Wilder’s film noir Sunset Boulevard (1950). The film plot bears a striking resemblance to Rod Serling’s teleplay for The Twilight Zone, “The Sixteen-Millimeter Shrine” (1959 ...
Reba Wissner
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Biometric responses to music-rich segments in films: the CDVPlex [PDF]
, 2009 Summarising or generating trailers for films or movies involves finding the highlights within those films, those segments where we become most afraid, happy, sad, annoyed, excited, etc.
Rothwell, Sandra, Smeaton, Alan F.
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The Musical Arrangement of a Live-Action Film
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво, 2021 The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works.
Лілія Єременко +1 more
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