Results 11 to 20 of about 8,180 (263)
African Musicology Online, 2021 Many scholars of music such as Kodaly, Dalcroze and Campbell have argued for the need of developing practical musicianship among learners in Music Education.
Isaac W. Shitubi +2 more
doaj +1 more source
Music and the Moving Image, 2014 AbstractAbstract. Film music scholars, composers, directors, and audiences have always implicitly believed that music can help determine the focus of an audience’s visual attention, but researchers have not as yet been able to prove this empirically. Eyetracking research—the process of measuring either the point of gaze or the motion of the eyes—has ...
Mera, Miguel, Stumpf, Simone
openaire +4 more sources
Music in Film: Film as Music [PDF]
Cinémas, 2011 Film and music hae the same communicative capacity, according to Toronto filmmaker Peter Mettler. By adopting the musical rhythms and procedures as creative vectors, the filmmaker, who is also the camaraman and the editor, acquires the means to produce a cinema of the unconscious, of the intuitive, either with or without a narrative structure.
openaire +1 more source
Music Scoring for Film Using Fruity Loops Studio [PDF]
E3S Web of Conferences, 2020 Making music for a film can be said to be quite challenging for some people with the necessity that music can evoke the atmosphere in the film. Determination and placement of audio aspects into visual form are things done in the music scoring process. Of
Febrian Arsya +3 more
doaj +1 more source
Internet of Things Recognition and Sensing Technology in Interactive Display Communication
IEEE Access, 2019 To study how to display the scientific and technological information of enterprise products through interactive dissemination and make a pre-marketing, the Internet of Things is integrated and how to attract people's attention and interact more with the ...
Jiangtao Li
doaj +1 more source
Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2021 Comprised of eight articles that focus on mainstream and even independent cinema from the silent era to the 21st century, this issue explores the creative possibilities of music in US-American cinema and aims to contribute to a renewal of methodological ...
Céline Murillo, David Roche
doaj +1 more source
Sound, voice, music: Editorial
Alphaville: Journal of Film and Screen Media, 2012 Not so long ago, film music scholars complained habitually that, despite its established and powerful role in the media economy of film, music was being neglected by film and music studies alike.
Danijela Kulezic-Wilson +2 more
doaj +1 more source
The Musical Arrangement of a Live-Action Film
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво, 2021 The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works.
Лілія Єременко +1 more
doaj +1 more source
Musica Docta, 2012 Beyond the Soundtrack: Representing Music in Cinema (edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert, Berkeley, University of California Press, 2007, viii-324 pp.) offers sixteen essays of various authors about film music.
Francesco Finocchiaro
doaj +1 more source
Soundtrack Music Videos: The Use of Music Videos as a Tool for Promoting Films
Communication & Society (Formerly Comunicación y Sociedad), 2021 The soundtrack music video is an audiovisual format used by the cultural industries of film and music as a commercial communication tool, since it is based on a song from the soundtrack of a film, so that both the artist that performs the song and the ...
David Selva-Ruiz, Desirée Fénix-Pina
doaj +1 more source