Results 21 to 30 of about 60,015 (220)

Phyllis, Cora, Laura, Gilda… Kobieta jako przedmiot w „film noir”

Kwartalnik Filmowy, 2011
Czy kobieta w film noir – nurcie popularnym w Stanach Zjednoczonych w latach 40. i 50. XX w. – była podmiotem czy raczej przedmiotem? Ze względu na niezwykłą tematyczną złożoność film noir, przejawiającą się m.in.
Patrycja Włodek
doaj   +1 more source

I, Anna (2012) and the Femme Fatale: Neo-Noir and Representations of Female Old Age [PDF]

, 2014
Through textual analysis this paper explores neo-noir film I, Anna (Southcombe, 2012). This paper promotes the concept of the femme fatale in modern film noir as having much to offer women and ageing studies.
Grist, Hannah
core   +1 more source

Flashbacks in Film Noir

Sillages Critiques, 2004
Through the analysis of a body of films belonging to the “noir” genre, this article aims at specifying the various modes and functions of the flashback, a device which is often associated with the genre.
Gilles Menegaldo
doaj   +1 more source

Zhang Yimou's 'Blood simple':cannibalism, remaking and translation in world cinema [PDF]

, 2014
Zhang Yimou’s A Woman, A Gun and A Noodle Shop (2009) remakes the Coen brothers’ Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting, adapting and recreating the narrative, but the film cannot be regarded as being aimed ...
Evans, Jonathan
core   +2 more sources

French Poetic Realism and American Noir: “It’s always too late’”

Linguae &: Rivista di Lingue e Culture Moderne, 2018
This paper investigates the connections between French Poetic Realism of the 1930s and American film noir and argues that their significance has been understated. The goals of this study are three-fold.
Rebecca Martin
doaj   +1 more source

In the Shadow of the Cuckoo Clock. The Subversive Realism of the Third Man

Romanian Journal of English Studies, 2023
With a view to exemplifying how film noir can effectively combine elements of expressionism and realism through a participatory viewing experience, this paper provides a discussion of The Third Man as a cinematic text that concomitantly reiterates ...
More Octavian
doaj   +1 more source

Diurnal and Nocturnal Cityscapes in Miami Vice

TV Series, 2022
Amid intense inter-network rivalry and the proliferation of cable, pay television and a nascent and competitive video industry, the major American Networks in the 1980s were faced with major challenges if they wished to continue attracting audiences and ...
Jean Du Verger
doaj   +1 more source

The lost brother, animality, utilitarian reason and politics as constructive pillars of film noir nowaday [PDF]

, 2018
El siguiente artículo analiza una de las producciones audiovisuales argentinas más importantes del año 2017, la película El otro hermano, de Adrián Caetano, trasnposición cinematográfica de la novela Bajo este sol tremendo de Carlos Busqued.
Setton, Román Pablo
core   +3 more sources

Creating a Cinema of Boxing in Day of the Fight (Stanley Kubrick, 1951)

Mise au Point, 2023
Stanley Kubrick's first movie is a boxing film. It is Day of the Fight, a 1951 short documentary on the Irish-American boxer and actor William Walter Cartier.
Myriam Mellouli
doaj   +1 more source

Trudne rozwijanie niewykorzystanego potencjału

Kwartalnik Filmowy, 2018
Recenzja książki Kamili Żyto Film noir i kino braci Coen (2017). Jak pisze Helman, autorka poświęciła pierwszą, stosunkowo obszerną część pracy rozważaniom teoretycznym na temat pojęć noir i neo-noir, wykraczając daleko poza przedstawienie literatury ...
Alicja Helman
doaj   +1 more source