Results 31 to 40 of about 3,868 (222)

French Poetic Realism and American Noir: “It’s always too late’”

open access: yesLinguae &: Rivista di Lingue e Culture Moderne, 2018
This paper investigates the connections between French Poetic Realism of the 1930s and American film noir and argues that their significance has been understated. The goals of this study are three-fold.
Rebecca Martin
doaj   +1 more source

In the Shadow of the Cuckoo Clock. The Subversive Realism of the Third Man

open access: yesRomanian Journal of English Studies, 2023
With a view to exemplifying how film noir can effectively combine elements of expressionism and realism through a participatory viewing experience, this paper provides a discussion of The Third Man as a cinematic text that concomitantly reiterates ...
More Octavian
doaj   +1 more source

Diurnal and Nocturnal Cityscapes in Miami Vice

open access: yesTV Series, 2022
Amid intense inter-network rivalry and the proliferation of cable, pay television and a nascent and competitive video industry, the major American Networks in the 1980s were faced with major challenges if they wished to continue attracting audiences and ...
Jean Du Verger
doaj   +1 more source

Creating a Cinema of Boxing in Day of the Fight (Stanley Kubrick, 1951)

open access: yesMise au Point, 2023
Stanley Kubrick's first movie is a boxing film. It is Day of the Fight, a 1951 short documentary on the Irish-American boxer and actor William Walter Cartier.
Myriam Mellouli
doaj   +1 more source

Strategic framing of novel ideas: How contestation shapes the evolution of novelty

open access: yesStrategic Entrepreneurship Journal, EarlyView.
Abstract Research Summary Entrepreneurs use strategic framing to gain support for their novel ventures, products, and services. A key challenge entrepreneurs face is that audiences often contest frames that introduce novel ideas, especially when these ideas disrupt audiences' mental and business models.
Janina Klein   +2 more
wiley   +1 more source

Trudne rozwijanie niewykorzystanego potencjału

open access: yesKwartalnik Filmowy, 2018
Recenzja książki Kamili Żyto Film noir i kino braci Coen (2017). Jak pisze Helman, autorka poświęciła pierwszą, stosunkowo obszerną część pracy rozważaniom teoretycznym na temat pojęć noir i neo-noir, wykraczając daleko poza przedstawienie literatury ...
Alicja Helman
doaj   +1 more source

Persistent Alarms Confronting New Priorities: Protestants in Africa in Italian and French Catholic Magazines (1945–1962)

open access: yesJournal of Religious History, EarlyView.
Anti‐Protestantism was one of the reasons for the revival of missions during the interwar period. By the 1960s, however, Protestants were less and less often mentioned as a threat to missionary efforts, and the decline in inter‐confessional tensions was increasingly considered a relic of the past.
Giacomo Canepa
wiley   +1 more source

A femme fatale em Ela e outras mulheres (2006) de Rubem Fonseca e em O lobo atrás da porta (2013) de Fernando Coimbra

open access: yesRebeca
Partindo da figura da femme fatale, o presente trabalho pretende analisar o modo como o conto Belinha de Rubem Fonseca, e o filme O lobo atrás da porta (2013), realizado por Fernando Coimbra, inspiram-se nesta personagem essencial do film noir. Para tal,
André Francisco
doaj   +1 more source

“A Jaguar is an Awful Cat”. Animals and Animal Metaphors in James M. Cain’s Novels

open access: yesLinguae &: Rivista di Lingue e Culture Moderne, 2018
James M. Cain is often linked with hard-boiled writers such as Dashiell Hammett and Raymond Chandler. Actually, he wrote a different kind of novels, where there are no ‘private eye’ detectives and very few murders.
Giulio Segato
doaj   +1 more source

‘The Good Couscous That Pleases Us!’: The Meanings of Enduring Imperialist Imagery in Postcolonial French Food Advertising, 1970–2000

open access: yesGender &History, EarlyView.
ABSTRACT This article examines a wave of Orientalism‐inspired food commercials that appeared on television in France between 1975 and 2000. Older commercials for couscous were more banal, emphasizing a given product's superiority or affordability. Around 1975, however, there was a concerted shift in the advertising; new spots contained exoticized ...
Kelly Ricciardi Colvin
wiley   +1 more source

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