Results 21 to 30 of about 3,868 (222)

Film review of Latin Noir

European Review of Latin American and Caribbean Studies, 2021
'Latin Noir', directed by Andreas Apostolidis, Greece, France and Mexico ...
Pablo Piccato
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Traces du film noir dans Lolita, Stanley Kubrick, 1962

Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2010
By looking at the influence film noir has exerted upon Kubrick’s Lolita, this article strives to show that Kubrick has undermined the generic conventions of film noir as well as of other film genres, in a devious attempt to displace the subversive ...
Cristelle Maury
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Paranoja „noir”. Ukryta rzeczywistość czarnego kryminału

Kwartalnik Filmowy, 2022
Paranoja jest częstym tematem filmowo-serialowym, ujawniającym się zarówno w udramatyzowanych reprezentacjach zaburzeń, jak i w narracjach spiskowych.
Patrycja Włodek
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La estrella del melodrama como heroína noir: La huella de unos labios (1952) / The melodrama star as a noir film heroine: The Trace of Some Lips (1952)

Balajú, 2018
Este trabajo reexamina La huella de unos labios (Juan Bustillo Oro, 1952), una poco conocida adaptación mexicana del autor de historias de suspenso Cornell Woolrich, y considera la película dentro de varios contextos: las heroínas de otras adaptaciones ...
Roberto Carlos Ortiz
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Les influences du film noir américain sur les bandes dessinées pseudo-préhistoriques de Philippe Foerster [PDF]

Synergies Espagne, 2021
Les albums de la série Silex Files du Belge Philippe Foerster – Chaînons manquants (2002), Le Silence des fossiles (2003) et Psycho-Sapiens (2004) – constituent un exemple original de transmédialité.
Isabelle Moreels, José Julio García Arranz   +1 more
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Interferenza omotopica e locational imaging noir. Una riflessione geocritica sugli spazi disturbanti nel cinema a partire da Black Dahlia [PDF]

Ocula, 2019
This paper aims at offering a geocritical exploration of cinema starting from The Black Dahlia (Brian De Palma, 2006) and retracing the tradition of the noir film genre, taking into consideration the peculiar relations between this genre and “real ...
Giorgio Avezzù
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“That Old Black Magic”: Noir and Music in Juan Díaz Canales and Juanjo Guarnido’s Blacksad

The Comics Grid: Journal of Comics Scholarship, 2019
Juan Díaz Canales and Juanjo Guarnido’s Blacksad is a comic series that evokes the noir tradition through thematic and visual callbacks to noir films and comics. As they use noir tropes, the comics illuminate the tensions in both noir and comics.
Hailey J. Austin
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Transcultural Appropriation and Aesthetic Breakthrough of Hollywood Film Noir in Contemporary Taiwan Suspense Thriller Films: A Case Study of Who Killed Cock Robin (2017)

Arts
The production of suspense thriller films has recently surged in Taiwan. These films adopt narrative techniques and visual aesthetics reminiscent of classic and neo-noir Hollywood cinema but also address social issues in Taiwan and represent ...
Xinchen Zhu
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Phyllis, Cora, Laura, Gilda… Kobieta jako przedmiot w „film noir”

Kwartalnik Filmowy, 2011
Czy kobieta w film noir – nurcie popularnym w Stanach Zjednoczonych w latach 40. i 50. XX w. – była podmiotem czy raczej przedmiotem? Ze względu na niezwykłą tematyczną złożoność film noir, przejawiającą się m.in.
Patrycja Włodek
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Flashbacks in Film Noir

Sillages Critiques, 2004
Through the analysis of a body of films belonging to the “noir” genre, this article aims at specifying the various modes and functions of the flashback, a device which is often associated with the genre.
Gilles Menegaldo
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