Sammelrezension: Film Noir und Neo-Noir
, 2007 Mark T. Conard (Hg.): The Philosophy of Film NoirMark T.
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Deux visions du noir : le roman Jack’s Return Home de Ted Lewis et le film Get Carter de Mike Hodges
E-REAThis article analyses Ted Lewis's novel Jack's Return Home (1970) and its film adaptation, Get Carter (1971) by director and screenwriter Mike Hodges. By studying the context in which the two works were written and the details of their content, I show ...
Christophe BROCHIER
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Synthesis of a novel isotopically labelled standard for quantification of γ-nonalactone in New Zealand Pinot noir via SIDA-SPE-GC-MS. [PDF]
Anal Bioanal Chem, 2023 Miller GC +3 more
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Exogenous abscisic acid and sugar induce a cascade of ripening events associated with anthocyanin accumulation in cultured Pinot Noir grape berries. [PDF]
Front Plant Sci, 2023 Bennett J +11 more
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A Phenomenology of Sonic Displacement in Film Noir
Film-PhilosophyThis paper analyzes the use of sounds displaced from their sources in classic film noir. Often understood as a dark and solipsistic moment in American cinema, interpretations of noir frequently emphasize isolated individuals who are physically ...
Thomas Goodchild
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Psychoanalytical Culture in the American Film Noir
Revista de Medicina y Cine / Journal of Medicine and Movies, 2008 In the American Film Noir from the classic period (1930-1960), it is possible to perceive the influence of psychoanalytical culture and of Freud’s most widely read works.
Jose Luis Sánchez Noriega
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Jean Rouch – l’enfant terrible antropologii i filmu
Teksty Drugie, 2018 The field of anthropology continues to be dominated by an approach that focuses on the spoken or written word. The filmmaker and anthropologist Jean Rouch is one of the few who have worked comfortably with both film and the (spoken and written) word ...
Sławomir Sikora
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The importance of outlier rejection and significant explanatory variable selection for pinot noir wine soft sensor development. [PDF]
Curr Res Food Sci, 2023 An J +5 more
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Journal of the Short Story in English, 2012 L’article étudie la nouvelle d’Ernest Hemingway « The Killers », paradigme de l’écriture moderniste dans son usage de l’implicite, et l’adaptation filmique de Robert Siodmak. Le film de Siodmak remplit les blancs de la nouvelle et met en scène une figure
Linda Collinge-Germain
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Identification of a Glycosylated Fraction Involved in Mushroom Off-Flavors in Grapes: Influence of Gray Rot, Powdery Mildew and Crustomyces subabruptus. [PDF]
Molecules, 2022 Delcros L +5 more
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