Results 81 to 90 of about 3,868 (222)

Imperial Hollywood : American cinematic representations of Europe, 1948-1964 [PDF]

This thesis examines the tourist films, a cycle of Hollywood films made between 1948 and 1964 in which an American travels abroad to Europe. The films share an experience of Europe that is organised around spectacular visual experiences, encounters ...
Sloan, Anna C.
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Women and Film Noir

, 2017
This chapter explores the relationship between classic noir and female-authored pulp fiction. Linking noir with its female-authored source material will help reorient gender associations with film noir so that male experience is not its exclusive focus ...
Julie Grossman
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Film noir [PDF]

, 2020
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Violencia y transnacionalidad en el cine latinoamericano contemporáneo: sobre Carancho (P. Trapero, 2010) y Los bastardos (A. Escalante, 2008) / Violence and Transnationalism in Contemporary Latin-American Cinema: Carancho (P. Trapero, 2010) and Los bastardos (A. Escalante, 2008)

Secuencias, 2016
Este artículo analiza la representación de la violencia en dos películas latinoamericanas: Carancho (Pablo Trapero, 2010) y Los bastardos (Amat Escalante, 2008).
Nadia Lie, Silvana Mandolessi
doaj  

La figura del periodista en el nacimiento del film noir. Stranger on the Third Floor (1940, Boris Ingster)

Doxa Comunicación
El presente artículo es un resumen de una investigación que aborda la figura del periodista y la importancia del periodismo en el nacimiento de film noir estadounidense.
Luis Deltell Escolar
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Triple Helix: Film Noir, Neo Noir and Los Angeles – imagining history and remembering the future in the most contemporary city

, 2008
Modern and Postmodern Los Angeles is examined through the lens of film noir and neo noir. The unique relationship between the city of Los Angeles and cinema is discussed in terms of a historiography emphasizing the role played by these defining film ...
Maher, Sean W.
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Gimme shelter. Tourneur, Cronenberg, Lynch [PDF]

lo Squaderno, 2007
Il protagonista di un film noir vive spesso sulla sua pelle l’esigenza di rendersi irreperibile, di trovare un rifugio. Il gangster pentito, il ricercato, il testimone sotto protezione: tutti hanno un buon motivo per far perdere le loro tracce.
Alberto Brodesco
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„Ktoś tu pana wpuścił. Kto? Dlaczego? To wymaga wyjaśnień”. Zagadka obecności Raymonda Chandlera w świecie literatury i filmu rozwiązana

Kwartalnik Filmowy, 2015
Recenzja książki „Świat był przemoczoną pustką”. Czarny kryminał Raymonda Chandlera w literaturze i filmie (2015) pióra Patrycji Włodek – publikacji poświęconej twórczości jednego z najwybitniejszych twórców kryminałów Raymonda Chandlera, a jednocześnie
Kamila Żyto
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Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film [PDF]

This thesis examines the role of music and cultural conceptions of emotion and `the feminine' in gendered characterisation in 1940s melodrama and the woman's film.
Laing, Heather
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Film Noir Style Genealogy

, 2012
Promocijas darba Film noir stila ģenealoģija anotācija Promocijas darba temats Film noir stila ģenealoģija aptver pasaules kinoteorētiskās domas pieredzē aprobēta jēdziena film noir un ar to apzīmētā kinematogrāfiskā mantojuma veidošanos, stilistisko ...
Rietuma, Dita, Dita Rietuma
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