Results 1 to 10 of about 647,066 (316)
From film policy to creative screen policies : media convergence and film policy trends in Flanders [PDF]
In recent years, digitization processes and media convergence trends have changed the film industry in various ways. Scholars have indicated various alterations in the aesthetics, production, distribution, exhibition and reception of films, thereby pointing at new technological possibilities and challenges, an increasing participatory cinema culture ...
Willems, Gertjan +3 more
openaire +2 more sources
National film production in newly developing film industries in Europe, such as in Lithuanian, Latvian and Estonian, did not receive much attention. This article analyzes the concept of national cinema, its connection with film policy in European film ...
Audrius Dabrovolskas
doaj +1 more source
Getting Your Money Back: Swedish Funding Institutions and Questions About Quality Films
This article explores the ways in which policymakers, national institutions, and film funding bodies try to navigate the current challenges for Swedish cinema, and if/how distinctions such as “commercial value”, “circulation potential” and “quality ...
Zehra Cerrahoğlu
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Film support and the challenge of ‘sustainability’: on wing design, wax and feathers, and bolts from the blue [PDF]
In recognition of the importance of film in generating both economic and cultural value, the UK Labour government set up a new agency – the United Kingdom Film Council (UKFC) – in 2000 with a remit to build a sustainable film industry.
Dickinson M. +20 more
core +1 more source
Film Censorship Policy During Park Chung Hee’s Military Regime (1960–1979) and Hostess Films
Park Chung-hee’s military government (1960-1979) purportedly used film censorship to distract the public from political consciousness by controlling political materials in films while condoning censorship control on sexual content.
Molly Hyo Kim
doaj +1 more source
'For this relief much thanks.' Taxation, film policy and the UK government [PDF]
In 2006, the Treasury introduced a new Film Tax Credit for British productions. Fiscal incentives in the form of tax credits are now regarded as fundamental to the sustainability of the British film industry.
Magor, M., Schlesinger, P.
core +1 more source
The role of film production policy in stimulating a Flemish identity (1964–2002) [PDF]
The role of the official film production policy in stimulating a Flemish identity forms the central research question of this study. This research project examines the period that starts in 1964, when a selective and culturally inspired support mechanism
Willems, Gertjan
core +1 more source
The creative industries have had a major impact on cultural policy, and it is often argued that these industries can be a vehicle for regional growth.
Sand Stine Agnete
doaj +1 more source
The article is a preliminary effort to join neo-positive and historical institutional analysis from comparative politics with insights from discursive and phenomenological analysis.
Patricia Sohn
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Dersu Uzala: the Objective World of the Film. From the Holdings of the Film Museum [PDF]
The article introduces into scientific discourse valuable materials kept in the State Central Film Museum— props, personal belongings of the main character of the film Dersu Uzala, directed by Akira Kurosawa.
Malaya, E. R.
doaj +1 more source

