Results 11 to 20 of about 32,311 (311)

Evolution of film policy in Kenya

open access: yesAfrican Social Science and Humanities Journal, 2022
This paper examines attempts by Kenyan governments to put in place policies or law that control and promote film industry right from the colonial era. Taking a historical approach, this article identifies trends in film policy and by extension media policy in Kenya across different political regimes.
Simiyu, Kennedy Njasi
openaire   +4 more sources

From film policy to creative screen policies : media convergence and film policy trends in Flanders

open access: yes, 2017
In recent years, digitization processes and media convergence trends have changed the film industry in various ways. Scholars have indicated various alterations in the aesthetics, production, distribution, exhibition and reception of films, thereby pointing at new technological possibilities and challenges, an increasing participatory cinema culture ...
Willems, Gertjan   +3 more
openaire   +3 more sources

Making it real: A policy programme for UK documentary film

open access: yes, 2021
This report outlines a new policy programme for the UK documentary film sector. Based on the extensive consultation that followed our previous report, Keeping It Real: Towards a Documentary Film Policy for the UK (2020) – itself based on the largest ever
Quigley, Alice   +2 more
core   +1 more source

The Neo-Positive Value of Symbolic Representations and Ritual Politics: Reconsidering the South Korean Allegory in Popular Film, Asura: The City of Madness

open access: yesReligions, 2023
The article is a preliminary effort to join neo-positive and historical institutional analysis from comparative politics with insights from discursive and phenomenological analysis.
Patricia Sohn
doaj   +1 more source

Small places, universal stories. Diversity, film policy and the geographical dimension of filmmaking

open access: yesNordisk Kulturpolitisk Tidsskrift, 2019
This article examines approaches to cultural diversity in a global- local axis. Can one talk about local cultural diversity in a film industry that is increasingly global?
Stine Agnete Sand
doaj   +1 more source

Dersu Uzala: the Objective World of the Film. From the Holdings of the Film Museum [PDF]

open access: yesТелекинет, 2023
The article introduces into scientific discourse valuable materials kept in the State Central Film Museum— props, personal belongings of the main character of the film Dersu Uzala, directed by Akira Kurosawa.
Malaya, E. R.
doaj   +1 more source

Obchody dwudziestopięciolecia kinematografii Dolnego Śląska w 1970 roku

open access: yesStudia Filmoznawcze
The purpose of this article was to look at film culture in Lower Silesia in 1970 and the starting point was the brochure ‘XXV years of cinematography of Lower Silesia’. The plans indicated in the brochure were confronted with their realization, for which
Andrzej Dębski
doaj   +1 more source

O lado sombrio da migração irregular no Reino Unido, no filme Coisas belas e sujas

open access: yesRevista Crítica de Ciências Sociais, 2021
The article proposes an interpretation of the 2002 film, Dirty Pretty Things, by British filmmaker Stephen Frears, understanding it as a political stand on global migratory movements and, in particular, the English migration policy of the early 21st ...
Paulo Rogério Melo de Oliveira
doaj   +1 more source

Taking Netflix to the Cinema: National Cinema Value Chain Disruptions in the Age of Streaming

open access: yesMedia Industries, 2021
This article explores how international over-the-top services impact the national feature film value chain in Canada and Australia. The main objective of this exploration is to interrogate the tendency to classify Netflix as television—whether in the ...
Diane Burgess, Kirsten Stevens
doaj   +2 more sources

Analogue Sunset. The Educational Role of the British Film Institute, 1979-2007 [PDF]

open access: yes, 2010
This paper traces key features of the BFI’s evolving strategies for film education in UK schools during the final 25 years of the analogue era. Historically, the BFI did much to establish the characteristics of film study, but it also embodied tensions ...
Cary Bazalgette, Bazalgette, Cary
core   +1 more source

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