Results 11 to 20 of about 25,580 (265)

Small places, universal stories. Diversity, film policy and the geographical dimension of filmmaking

open access: yesNordisk Kulturpolitisk Tidsskrift, 2019
This article examines approaches to cultural diversity in a global- local axis. Can one talk about local cultural diversity in a film industry that is increasingly global?
Stine Agnete Sand
doaj   +1 more source

The Neo-Positive Value of Symbolic Representations and Ritual Politics: Reconsidering the South Korean Allegory in Popular Film, Asura: The City of Madness

open access: yesReligions, 2023
The article is a preliminary effort to join neo-positive and historical institutional analysis from comparative politics with insights from discursive and phenomenological analysis.
Patricia Sohn
doaj   +1 more source

Obchody dwudziestopięciolecia kinematografii Dolnego Śląska w 1970 roku

open access: yesStudia Filmoznawcze
The purpose of this article was to look at film culture in Lower Silesia in 1970 and the starting point was the brochure ‘XXV years of cinematography of Lower Silesia’. The plans indicated in the brochure were confronted with their realization, for which
Andrzej Dębski
doaj   +1 more source

O lado sombrio da migração irregular no Reino Unido, no filme Coisas belas e sujas

open access: yesRevista Crítica de Ciências Sociais, 2021
The article proposes an interpretation of the 2002 film, Dirty Pretty Things, by British filmmaker Stephen Frears, understanding it as a political stand on global migratory movements and, in particular, the English migration policy of the early 21st ...
Paulo Rogério Melo de Oliveira
doaj   +1 more source

Taking Netflix to the Cinema: National Cinema Value Chain Disruptions in the Age of Streaming

open access: yesMedia Industries, 2021
This article explores how international over-the-top services impact the national feature film value chain in Canada and Australia. The main objective of this exploration is to interrogate the tendency to classify Netflix as television—whether in the ...
Diane Burgess, Kirsten Stevens
doaj   +2 more sources

Introduction. Waste in Films – Waste after Films: Before the War

open access: yesImages, 2023
When we invited interested authors to contribute to the special issue titled “Waste in Films – Waste after Films,” we expected papers about waste shown in fictional films and in the real world, and in every potential “transitional” discursive form.
Pietari Kääpä, Marek Kaźmierczak
doaj  

Tańczące muzy. Kino i korespondencja sztuk

open access: yesImages, 2009
Dancing muses. Cinema and the correspondance of arts How traditional arts are used and adapted by film? In what ways do they correspond and cooperate as structural elements supporting a fully coherent piece of film? These fundamental questions open many
Marek Hendrykowski
doaj   +1 more source

Evolution of film policy in Kenya

open access: yesAfrican Social Science and Humanities Journal, 2022
This paper examines attempts by Kenyan governments to put in place policies or law that control and promote film industry right from the colonial era. Taking a historical approach, this article identifies trends in film policy and by extension media policy in Kenya across different political regimes.
openaire   +3 more sources

Field Report from Collaborative Research Center 1625: Heterogeneous Research Data Management Using Ontology Representations

open access: yesAdvanced Engineering Materials, EarlyView.
A unified research data management framework for heterogeneous materials data is presented. The system integrates multimodal datasets using ontologies and knowledge graphs, enabling interoperability and FAIR (findable, accessible, interoperable, reusable) data principles. By linking data across scales and workflows, it supports reproducible, Artifitial
Doaa Mohamed   +6 more
wiley   +1 more source

Film Policies in Transition [PDF]

open access: yesAlphaville: Journal of Film and Screen Media, 2018
In November 2016, the International Journal of Cultural Policy published a special issue on “Film Policy in a Globalised Cultural Economy” which focused on policy responses to recent changes in the economic and technological contexts of filmmaking practices worldwide (Hill and Kawashima). To mark the publication of this special issue, editors John Hill
openaire   +2 more sources

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