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National film production in newly developing film industries in Europe, such as in Lithuanian, Latvian and Estonian, did not receive much attention. This article analyzes the concept of national cinema, its connection with film policy in European film ...
Audrius Dabrovolskas
doaj +3 more sources
Film policy, the Chinese government and soft power [PDF]
Abstract This article examines how the Chinese ruling party understands the role of film and how film policy has been used to promote China’s soft power. It first explores shifts in policy over a period of 60 years in order to identify the government’s overall approach to the film industry.
Yanling Yang
exaly +3 more sources
Film Policies and Film Production in Spain during the Economic Crisis (2007–2017)
Europe’s leading film-producing countries are France, Germany, Italy, Spain, and the United Kingdom. They were all hit by the global economic crisis, which had a particularly severe impact on Europe in 2010–2012.
María-Jesús Díaz-González +1 more
doaj +5 more sources
Getting Your Money Back: Swedish Funding Institutions and Questions About Quality Films
This article explores the ways in which policymakers, national institutions, and film funding bodies try to navigate the current challenges for Swedish cinema, and if/how distinctions such as “commercial value”, “circulation potential” and “quality ...
Zehra Cerrahoğlu
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In 1960 The State Film Prize Committee was founded in Sweden with the intention to support artistically superior films. Research on Swedish quality-directed film policies usually has as its point of departure the Swedish Film Institute, established in ...
Lars Diurlin
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Film Censorship Policy During Park Chung Hee’s Military Regime (1960–1979) and Hostess Films
Park Chung-hee’s military government (1960-1979) purportedly used film censorship to distract the public from political consciousness by controlling political materials in films while condoning censorship control on sexual content.
Molly Hyo Kim
doaj +1 more source
The creative industries have had a major impact on cultural policy, and it is often argued that these industries can be a vehicle for regional growth.
Sand Stine Agnete
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دور السينما في الاقتصاد السعودي ما بعد النفط: [PDF]
يستكشف هذا المقال دور المنظمات غير الربحية في تطوير صناعة السينما في المملكة العربية السعودية من خلال دراسة حالة لمركز الملك عبد العزيز الثقافي العالمي، المعروف باسم إثراء.
مصعب العمري
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Film Policies in Transition: Globalization, Digitization, Protectionism (2017) [Symposium]
In November 2016, the International Journal of Cultural Policy published a special issue on “Film Policy in a Globalised Cultural Economy” which focused on policy responses to recent changes in the economic and technological contexts of filmmaking ...
Gertjan Willems
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Various forms of public funding are used to encourage national film production, and one important quality of such funding is its ability to attract complementary private financing and thus maximize the resources available for national film.
Gaustad Terje
doaj +1 more source

