Results 31 to 40 of about 647,207 (218)

Film Audiences: Personal Journeys with Film, by Bridgette Wessels, Peter Merrington, Matthew Hanchard and David Forrest with the Beyond the Multiplex Team. Manchester University Press, 2022, 304 pp.

open access: yesAlphaville: Journal of Film and Screen Media
The question of audience formation has, at times, been neglected in film studies, in favour of auteur-centric interests, sociopolitical commentary, and textual analysis.
M. Sellers Johnson
doaj   +1 more source

Policy Development for Promoting Quality - of - Life of Laborers in the Thai Film Industry

open access: yesJournal of Humanities and Social Sciences Mahasarakham University, 2023
The study examined policy development for promoting the life quality of laborers in the Thai film Industry. It applied the problem of laborers in the Thai film Industry as a conceptual framework.
Natthanun Tiammek, Jessada Salathong
doaj  

The condition of the working class: Representation and praxis [PDF]

open access: yes, 2013
Copyright © 2013 Immanuel Ness and Wiley Periodicals, Inc. This is the accepted version of the following article: Wayne, M. and O'Neill, D. (2013), The Condition of the Working Class: Representation and Praxis.
Benjamin   +19 more
core   +1 more source

Film dan politik di Indonesia 1957-64; Hambatan peredaran "Pagar kawat berduri" dan "Anak perawan di sarang penjamun"

open access: yesWacana: Journal of the Humanities of Indonesia, 2002
This study attempts to discuss the offensive policy taken by Partai Komunis Indonesia (Indonesian Communist Party) in cultural sphere, especially in film during the period of Demokrasi Terpimpin (1957-64).
Mahda Sofa Syahdu
doaj   +1 more source

Film Policy and Film Production: The Potential of Baltic Co-Productions and New Film Fund

open access: yesEconomics and Culture
The film industry can be considered the most important in creative industries since it possesses the characteristics of industrial organization, a high degree of demand uncertainty, contractual agreements, and business practices.
Dabrovolskas Audrius, Cane Renate
doaj   +1 more source

La VUFKU et ses rapports avec le cinéma français

open access: yesRevue des études slaves, 2022
Freed from Moscow tutelage during the period of the New Economic Policy (NEP), the All-Ukrainian Photo Cinema Administration (VUFKU) had broadcasted its first films in Western Europe and in the USA between 1928 and 1930.
Lubomir Hosejko
doaj   +1 more source

‘Georgian Film Is a Completely Unique Phenomenon.’ A Film Scene with History, or Georgian Cinema in the Emancipation Loop

open access: yesComparative Southeast European Studies, 2018
With a view of Georgian cinema under the current spotlights of various international film festivals, the author reviews the state of the art of Georgian film production, linking it to the impressively long history of
Buder Bernd
doaj   +1 more source

Predicting the development path of Bona Film based on the marketing mix theory [PDF]

open access: yesSHS Web of Conferences
In 2017, with the rising Chinese film market, some Chinese private film and television companies began to establish other businesses, many of which failed.
Tan Xiao
doaj   +1 more source

Film Trade Policy After Chinaʼs Entry Into the World Trade Organisation

open access: yesAsia & the Pacific Policy Studies
This study provides an in‐depth analysis of Chinaʼs film trade policies following its accession to the World Trade Organisation in 2001. It examines the factors behind the limited international success of Chinese films.
Lei Sun, Simon J. McKirdy
doaj   +1 more source

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