Results 11 to 20 of about 1,852,725 (304)
Zhang Yimou's 'Blood simple':cannibalism, remaking and translation in world cinema [PDF]
, 2014 Zhang Yimou’s A Woman, A Gun and A Noodle Shop (2009) remakes the Coen brothers’ Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting, adapting and recreating the narrative, but the film cannot be regarded as being aimed ...
Evans, Jonathan
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Platform Strategy in a Technopolitical War: The Failure (and Success) of Facebook Watch
Global Storytelling, 2022 In recent years, as more corporations have decided to launch their own streaming platforms, it has become of greater importance for each to differentiate themselves through a suite of strategies intended to mark their place within the market.
Jake Pitre
doaj +2 more sources
Bollywood tracks towards and through the city: structural patterns of Hindi film culture in Antwerp (Belgium) [PDF]
, 2013 The globalisation of Hindi cinema is a topical issue in current media and film research. Whereas the majority of previous studies on Indian film in diaspora have been concerned with issues of audiences and text, this article concentrates on the ...
Meers, Philippe +3 more
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Comparative Analysis of Colour Film Style by Computational Means
Cinergie, 2021 This paper uses two different colour versions of the early film The Life and Passion of Christ (La Vie et la Passion de Jésus Christ, 1907) by Ferdinand Zeccato demonstrate how computer-based techniques for analysing digitized film materials, using a ...
Olivia Kristina Stutz
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Characterization of carbon contamination under ion and hot atom bombardment in a tin-plasma extreme ultraviolet light source [PDF]
, 2014 Molecular contamination of a grazing incidence collector for extreme ultraviolet (EUV) lithography was experimentally studied. A carbon film was found to have grown under irradiation from a pulsed tin plasma discharge.
Bijkerk, F +6 more
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Alphaville: Journal of Film and Screen Media, 2022 Bo Wang and Pan Lu’s split-screen video essay Miasma, Plants, Export Paintings (2017) charts the relationship between its titular categories and British imperialism in China, especially the colonial possession of Hong Kong as a result of the Opium Wars ...
Sarah Cooper
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Lynne Attwod, Elisabeth Schimpfössl and Larina Yusupova (eds.): Gender and Choice After Socialism
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2019 Anna Batori`s review of the book Gender and Choice After Socialism by Lynne Attwod, Elisabeth Schimpfössl and Larina Yusupova (eds.)
Anna Batori
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Close-Up-Ness: Masks, Screens, and Cells
img journal, 2021 The pandemic reshapes not only our habits, but also our environment. It does so by supporting the creation of existential bubbles –often in the form of restrained cells– in which we shrink our range of action, but also in which we can feel safe.
Francesco Casetti
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The Year’s Work in Modern Language Studies, 2020 Cinéma-monde: Decentred Perspectives on Global Filmmaking in French, ed. Michael Gott and Thibaut Schilt, Edinburgh U.P., xiii + 378 pp., adopts a decentred approach to the study of ‘global French-language’ cinemas. It takes up the term cinéma-monde, informed by the littérature-monde debate, as a means of understanding film beyond national frames and ...
Chaplin, Felicity, King, Gemma
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Dijana Jelača: Dislocating Screen Memory. Narrating Trauma in Post-Yugoslav Cinema.
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018 Anna Batori's review of the book Dislocating Screen Memory.
Anna Batori
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