Results 31 to 40 of about 180,200 (114)
ArtnodesThe history of cinema has never shied away from the representation of the future, and beyond the abstract nature of the contemporary concept and its temporal fluctuations, the sheer profusion of scenarios and their different links to the very concept of ...
Sara Calvete-Lorenzo +2 more
doaj +1 more source
Family Representation in Contemporary Turkish Cinema: A Longitudinal Corpus Analysis, 1996–2024
Sociology Lens, Volume 39, Issue 3, Page 543-557, September 2026.ABSTRACT Family has long occupied a central place in contemporary cinema in Turkey, yet existing scholarship has largely examined its representation through close readings of selected films or specific themes. This article adopts a different perspective by analyzing family representations across a longitudinal corpus of 850 films produced between 1996 ...
Defne Tüzün +7 more
wiley +1 more source
Curator: The Museum Journal, Volume 69, Issue 3, Page 448-457, July 2026.ABSTRACT In Panorama, artist Amie Siegel montaged films made by Carnegie Museum of Natural History (CMNH) staff in the 1930s–1970s when documenting their research expeditions and exhibition projects, along with her own footage shot in the museum. Displayed at Carnegie Museum of Art in 2023–2024, the exhibition made visible the often hidden labors of ...
Deirdre Madeleine Smith
wiley +1 more source
, 2019 The papers of the present volume investigate the potential of the metaphor of life as theater for literary, philosophical, juridical and epistemological discourses from the Middle Ages through modernity, and focusing on traditions as manifold as French ...
core +2 more sources
The Russian Review, Volume 85, Issue 3, Page 348-362, July 2026.Abstract This article brings together theories of history and filmic realism to analyze the representation of the provinces in Nataliia Meshchaninova’s The Hope Factory (Kombinat “Nadezhda,” 2014) and Andrei Zviagintsev’s Leviathan (Leviafan, 2014). It argues that these two films share a typically realist attitude of respect toward the profilmic in ...
Daria Ezerova
wiley +1 more source
Displaced Impacts: Visibility, Care, and Humanitarian Filmmaking in Iran
American Anthropologist, Volume 128, Issue 2, Page 297-307, June 2026.ABSTRACT Socially oriented documentary films are increasingly expected to articulate “impact” goals to gain international distribution, yet what counts as impact for those represented remains contested. This article examines how narratives about working and displaced youth in Iran are produced and circulated through social filmmaking.
Nat Nesvaderani
wiley +1 more source
Rewriting Bachmann's Malina (1971) in the Age of Waldheim
The German Quarterly, Volume 99, Issue 3, Page 181-193, Summer 2026.Abstract This paper analyzes the drastic cuts made to Elfriede Jelinek's 1991 filmscript of Ingeborg Bachmann's Malina (1971) alongside the hypocritical omissions of Kurt Waldheim's political memoirs to situate her adaptation in a post‐1986 moment of Austrian reckoning with National Socialism. Whereas previous scholarship disentangles the film from its
Harry Ikue Mizumoto
wiley +1 more source
Affect and Metaphor Sensing in Virtual Drama [PDF]
, 2010 We report our developments on metaphor and affect sensing for several metaphorical language phenomena including affects as external entities metaphor, food metaphor, animal metaphor, size metaphor, and anger metaphor.
Zhang, Li +3 more
core +1 more source
Wandering and Sleeplessness: Performance as research in memories of the 1970 Peruvian earthquake
Visual Anthropology Review, Volume 42, Issue 2, Fall 2026.Abstract Oral testimony is used as a tool for gaining insight about traumatic events from the perspective of survivors. But research also acknowledges that narrative accounts do not necessarily move us closer to that trauma. This article asks what might be learnt from performance with Lucho Ramírez, an actor from Peru who lost his home as a boy in an ...
Rebecca Jarman
wiley +1 more source
The Complex Geography of Cultural Networks
Geography Compass, Volume 20, Issue 4, April 2026.ABSTRACT This article examines the cultural sector as complex, sprawling, and uneven spatial networks, shaped by the interactions of people, institutions, goods and services. At the intersection of network science and geography, it synthesises how spatial network approaches have been applied to the study of cultural and creative industries, including ...
Andrea Ballatore
wiley +1 more source