Results 11 to 20 of about 18,703 (300)

The dyadic narration (second-person narration) in the short story "The ontology of childhood" by Viktor Pelevin [PDF]

, 2022
artykuł jest poświęcony narracji diadycznej (narracji drugoosobowej), która została zastosowana w opowiadaniu Wiktora Pielewina "Ontologia dzieciństwa".
Magdalena Ochniak, Ochniak, Magdalena
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Stylization of spoken language in the jeans prose [PDF]

Hum, 2021
This paper will analyze stylization procedures in jeans prose novels Kratki izlet by Antun Šoljan (1965), Kužis, stari moj by Zvonimir Majdak (1970) and Bolja polovica hrabrosti by Ivan Slaming (1972).
Ivona Baković
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The Phantasmatic "I". On Imagination-based Uses of the First-person Pronoun across Fiction and Non-fiction

Rivista Internazionale di Filosofia e Psicologia, 2016
Traditional accounts regard the first-person pronoun as a special token-reflexive indexical whose referent, the utterer, is identified by the linguistic rule expressed by the term plus the context of utterance. This view falls short in accounting for all
Nevia Dolcini
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Exploring the Boundaries of Second-Person Narrative: The Use of “You” in Maria Gerhardt’s Transfer Window

Zagadnienia Rodzajów Literackich, 2022
 In Maria Gerhardt’s autobiographical novel, Transfer Window (orig. Transfervindue, 2017), which is set in a fictionalized hospice universe and revolves around Gerhardt’s experience of being a terminal patient, the first-person protagonist, Maria ...
Pernille Meyer
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NARRATION AS A MEANS OF COMMUNICATION IN SELECTED NOVELS BY J.M.COETZEE: WAITING FOR BARBARIANS AND FOE

Language Literacy: Journal of Linguistics, Literature, and Language Teaching, 2019
Narrations become very important such that, we tend to try to make others want to fit into them to identify with us, which is why narrative is often used in the recount of events, the past, geared to justify the systems of domination and control evident ...
Jihad Jaafar Waham, Wan Mazlini Othoman
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«... And now I have to enter Father Mike’s head, I’m afraid» Parallessi, onniscienza omodiegetica e “io” autoriali nella narrativa contemporanea (II)

Enthymema, 2015
Il presente saggio costituisce la seconda e ultima parte di uno studio incentrato su alcune altera- zioni del racconto in prima persona nella narrativa contemporanea.
Filippo Pennacchio
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“Agents of Description”. Animals, Affect, and Care in Thalia Field’s Experimental Animals: A Reality Fiction (2016)

Relations, 2021
In this article, I explore questions of laboratory animal agency in dialogue with Thalia Field’s literary text “Experimental Animals: A Reality Fiction” (2016).
Shannon Lambert
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Medieval forms of first-person narration II

, 2022
One of the central features that medieval narratives in the first person have in common is their specific structure. Most of them are not continuously and coherently narrative, but in most cases include long discursive sections or textual elements such ...
Philipowski, Katharina (Prof. Dr.)
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First Person Narration in Postwar British Women’s Fiction

, 2022
Julia McCoy ’22Majors: English and Political ScienceFaculty Mentor: Dr. William Hogan, English A study of postwar English novelists Margaret Drabble and Jeannette Winterson, looking particularly at the way these writers use first person narration in ...
McCoy, Julia
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Author’s “Ego” in “The Ballad of the Reading Gaol”

Armenian Folia Anglistika, 2014
Oscar Wilde’s poem “The Ballad of the Reading Gaol” contains various narrative perspectives which convey the author’s and the protagonist’s points of view.
Marika Tonyan
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