Results 1 to 10 of about 71,265 (314)
Lüge, Täuschung und Verwirrung. Unzuverlässiges und ‚verstörendes Erzählen‘ in Literatur und Film
Diegesis: Interdisziplinäres E-Journal für Erzählforschung, 2015 My contribution aims to modify current concepts of unreliable narration in literature and film. Although in film studies it is more common to talk of mind-game movies, this notion is not synonymous with unreliable narration: mind-game movies are films ...
Sabine Schlickers
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Le DVD comme vecteur d’une culture du chapitre en contexte médiatique
Itinéraires, 2020 This article aims to outline a reflexion for a study of the use of chaptering in the field of DVD film publishing, a medium that is now in decline but that has introduced and popularized a radical change from the continuous viewing required before by VHS.
Alain Boillat
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Studi sulla FormazioneThe history of the “spedale degli Innocenti” is famous throughout the world. It was the first orphanage founded in Europe in 1419 and its rooms contain the objects and stories of hundreds and hundreds of children cared for over the centuries.
Rossella Certini
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Неофилология, 2018 The historical and political prototypes are the material for the creation of bright and memorable images in the novel by M.A. Bulgakov “Fatal eggs” are described: A.S. Rokk (chief commander of the Workers' And Peasants' Red Army S.S.
Vladimir Viktorovich Kolchanov
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Gabriel Josipovici et la fabrique de l’ordinaire
Revue LISA, 2014 This paper focuses on the idea of the ordinary in the works of Gabriel Josipovici. It argues that the ordinary in Josipovici’s works is not only a theme, but is part and parcel of the writer’s novelistic strategies, characterising both language and ...
Marcin Stawiarski
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À la recherche de la senefiance… — Lecture intertextuelle des récits de rêve médiévaux // In search of the senefiance… — Intertextual study of dream scenes in medieval French texts [PDF]
Svět Literatury, 2015 The modern reader cannot read and interpret a medieval text in the same way as the medieval reader because of remoteness in time, the distance between our cultural space and medieval cultural space.
Linda Németh
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I-Narration: Revealing Narrator’s Selfhood [PDF]
Armenian Folia Anglistika, 2012 The present article is aimed to discuss the narrator’s selfhood in I-narrations. The investigation shows that first and third person narrations reveal the identity of the narrator in different ways. If in the first case the narrator introduces himself/herself as an individual, the second version keeps his personality in secret.
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Cahiers de Narratologie, 2010 The use of novelistic stereotypes by surrealists during the 1920s permitted the composition of literary works while avoiding the problem of the realistic novel genre that André Breton denounced ; the obvious tricks of the popular novel work as “a secret ...
Ivanne Rialland
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Effects of Compound and Total Images on the Cohesion of in Al-Qahtani's Poetry
NalansThis article aims to explore the aesthetics of imagery in the poetry of Al-Qahtani, which can be categorized into two types: compound imagery resulting from the accumulation of images and compound imagery in narrative storytelling.
Bilal Khalid Khalaf +2 more
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Fictions du réel : le journalisme narratif
Cahiers de Narratologie, 2014 In this article, we chose initially to start from a paradoxical command (i.e. the need to use techniques of literary fiction to give a better representation of the real world and to account for it) to anchor our study in a particular journalistic ...
Nicolas Pélissier et Alexandre Eyriès
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