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Lecture, narrated slides, or first person view? Impact of presentation on learning outcomes

2015 IEEE Frontiers in Education Conference (FIE), 2015
We are experimentally conducting a fine-grain comparative analysis of two different methods of producing pre-recorded lectures versus a traditional live lecture. The two different pre-recorded lecture production methods do not require assistance from university staff members and therefore represent a low-cost approach.
Michael P. McGarry, Patrick Seeling
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Living to Tell the Tale: Male and Female First-Person Narrators of Metamorphosis

2022
Ovid’s Metamorphoses is well supplied with variant narrators, many of whom are female. Among the few characters who live to tell the tale of their own metamorphosis, there are some interesting gendered effects: I shall concentrate on Cornix, Ocyroe, and Hippolytus.
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Shadowing the Dead: First Person Narration in Our Mutual Friend

2006
In the previous chapters, we have focused on the difficulties women face in narrating their stories. Bleak House confronts head-on the problems in women’s narration by introducing the double narrative which deconstructs a unified speaking subject and thus gendered identity.
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Self, Narrative, and First-Person Narration in the Babylonian Talmud

Jewish Quarterly Review
Abstract: The Babylonian Talmud is filled with personal stories about its heroes and their experiences, attitudes, thoughts, and adventures. However, quite surprisingly, these stories are rarely narrated by their protagonists. Rabbinic stories usually conform to the aesthetic norm of using third-person narration, told by another sage or by the sugya’s
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The split subject of narration in Elizabeth Gaskell's first-person fiction

2009
Η διατριβή μου εξετάζει μία σειρά από πρωτοπρόσωπα πεζογραφήματα της Βικτοριανής συγγραφέως Ελίζαμπεθ Γκάσκελ, δηλ. το Cranford (1853) το Cousin Phillis (1863), το 'Six Weeks at Heppenheim" (1862), το 'The Poor Clare' (1856) και το 'The Grey Woman' (1861), μέσα από το μετα-δομικό πρίσμα της Λακανικής Ψυχανάλυσης και της φεμινιστικής αφηγηματολογίας ...
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Sitting in Narrative: Second-Person Narration in Dionne Brand’s Map

TOPIA Canadian Journal of Cultural Studies, 2023
Emily Greenwood
exaly  

The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction

2011
The Split Subject of Narration in Elizabeth Gaskell’s First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective employing such theoretical frameworks as psychoanalytic theory, narratology, and gender theory.
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Expanding the View of First-Person Narration

Children's Literature in Education, 1999
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