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Gypsies and Flamenco: The Emergence of the Art of Flamenco in Andalusia
Notes, 1997The first part of this text traces the development of Gypsy music during the long migration of professional Gypsy musicians form India to Spain over many centuries. it describes the influence of professional Gypsy musicians on the music of Iran, Turkey, Greece and Hungary.
Timothy Mitchell +2 more
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Popular Music, 1994
This article is part of an on-going analysis of a Spanish television documentary series entitledRito y Geografía del Cante. This larger on-going analysis treats the programmes in this series as ‘cultural performances’. The programmes are assumed to model personhood as they go about presenting information about flamenco music.
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This article is part of an on-going analysis of a Spanish television documentary series entitledRito y Geografía del Cante. This larger on-going analysis treats the programmes in this series as ‘cultural performances’. The programmes are assumed to model personhood as they go about presenting information about flamenco music.
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2022
Abstract Chapter 1 contextualizes and critiques the expectation of mid-century international jazz listeners that jazz from Spain was synonymous with flamenco jazz. It includes an analysis of the cover art, liner notes, and music of the album Sketches of Spain, by Miles Davis and Gil Evans, and incorporates scholarly work by Juan Zagalaz ...
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Abstract Chapter 1 contextualizes and critiques the expectation of mid-century international jazz listeners that jazz from Spain was synonymous with flamenco jazz. It includes an analysis of the cover art, liner notes, and music of the album Sketches of Spain, by Miles Davis and Gil Evans, and incorporates scholarly work by Juan Zagalaz ...
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2023
Abstract This chapter explores the ways in which Giorgio Agamben’s medial understanding of gesture is articulated in the case of dancer Carmen Amaya (1913−1963), who was born in a marginalised Roma community in Barcelona but became an international flamenco star.
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Abstract This chapter explores the ways in which Giorgio Agamben’s medial understanding of gesture is articulated in the case of dancer Carmen Amaya (1913−1963), who was born in a marginalised Roma community in Barcelona but became an international flamenco star.
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