Results 81 to 90 of about 1,294 (175)
The Belief–Desire Appraisal Theory of Emotion
Pacific Philosophical Quarterly, EarlyView.ABSTRACT I introduce the Belief–Desire Appraisal Theory of Emotion (BDA). BDA makes three main claims: (a) Emotions are psychological episodes whose paradigmatic instances are constituted by coordinated changes in appraisals, action tendencies, bodily responses, and subjective feelings; (b) appraisals—which are rapid, low‐level evaluations of ...
Constant Bonard
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Teorie a dějiny hudby na JAMU v prvních letech její existence
Musicologica Brunensia, 2009 The Janáček Academy of Music and Performing Arts (commonly known as JAMU) was established in 1947. Ludvík Kundera was its rector from 1948 to 1961. His goal was to form a faculty consisting of prominent experts.
Jindřiška Bártová
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On the Limits of Intransitive Coordination
Ratio, EarlyView.ABSTRACT A growing number of authors suggest that concept coordination—the kind of relation we pick out when we say that the concepts of one or more individuals represent something as the same—is not a transitive relation. Here we consider global features of representational systems to break new ground in the assessment of the intransitivity view. From
Víctor M. Verdejo, Joost J. Joosten
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Jos talonpojalla olisi ollut piano – pelimannimusiikin estetiikka pianistin ilmaisun laajentajana
TrioThe piano has not traditionally been considered a folk instrument, and its broader use in folk music contexts emerged only in the early 1990s alongside the development of folk music education.
Pilvi Järvelä
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Studies in Ethnicity and Nationalism, EarlyView.ABSTRACT From its very inception, the Jewish National Movement Hibbat Zion turned to the collective past to advance its goals in the present. One of their activities was to reinterpret Jewish holidays and festivals, especially those that did not take a central place in the Jewish calendar.
Asaf Yedidya
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Folk Songs in the Organ Music of Basque Composers
Современные проблемы музыкознанияThe organ culture of the Basque Country and Navarre developed under the influence of European trends, primarily associated with the emergence of Romantic organs and, secondly, with a reassessment of the role of music in Catholic worship.
Gabriela Ana Navarro Landaverria
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Staging the Semahs: Performing Aleviness in Turkey and Europe
Studies in Ethnicity and Nationalism, EarlyView.ABSTRACT The semah, a genre of music and movement practices imbued with values of gender, class, age and ethical egalitarianism, lies at the core of the Alevis' ayn‐i cem rituals. Since the 1970s, processes of urbanisation, migration, folklore production and heritage‐making have facilitated the circulation of semah beyond ritual contexts, particularly ...
Sinibaldo De Rosa
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Editorial: Towards a Meaningful Instrumental Music Education. Methods, Perspectives, and Challenges
Frontiers in Psychology, 2020 Andrea Schiavio +3 more
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Sensing Frames: A Contribution to Sensory Pluralism
Sociological Forum, EarlyView.ABSTRACT Are expressions like “sense of responsibility,” “sense of community,” and “business acumen” merely metaphors, or do they refer to deeper, socially embedded forms of perception? This article introduces the concept of “sensing frames”: the socially learned, culturally shaped, and pragmatically enacted modalities through which people perceive and
Giampietro Gobo +2 more
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Jurnal Penelitian Pendidikan, 2014 Folk music is an element of simplicity and regionalism. Improving activities toward the appreciation on the work of art, especially folk music, was carried out by identifying the variety of folk songs, according to the personal view of most students ...
Rina Muktinurasih
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