Results 151 to 160 of about 1,439 (177)
Vocal risk mapping in classical singers: an analysis of the self-perception of voice quality, vocal fatigue, and singing voice handicap. [PDF]
Gomes D, Moreti F, Behlau M.
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Comunicaciones LX Reunión Anual SENFC Barcelona, 2 a 4 de octubre de 2024. [PDF]
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La solita forma: Examining the Musical and Dramatic Structure of bel canto Arias
Journal of Singing, 2023Classical voice pedagogy is rooted in the principles of bel canto technique. A specific and common aria form associated with the bel canto aesthetic in Italian opera of the first part of the 19th century (the primo ottocento), was the double aria, or cavatina/cabaletta.
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Forma formans : an investigation into the forms of time in Francesco Filidei's music
Nuove Musiche, 2021The dimension of time in Filidei’s poetic horizon is strongly interconnected with that of the sound as it is only through the life of sound articulated in a birth, a growth and a death that we can experience the passing of time. The musical form is shaped accordingly as teleological: every instant germinates from the observation of the instant that ...
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Formas tonales de pequeñas dimensiones. Análisis musical
2019La finalidad pedagogica y didactica de este libro consiste en abordar las formas musicales tonales a partir de un recorrido analitico de estructuras que tiene en cuenta desde el elemento mas pequeno (motivo-frase) hasta la totalidad de los elementos constitutivos que configuran y representan las formas: periodo-bipartita-tripartita.
Svetlana Skriagina +1 more
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2023
Antonio María Valencia (1902-1952) was one of the leading Colombian composers, pianists, and educators of his generation. His Dúo en forma de sonata (1926) for violin and piano serves as an early example of the composer's aesthetic. According to the programmatic description he sent to his mother, the Dúo depicts Valencia's "indelible impressions" of ...
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Antonio María Valencia (1902-1952) was one of the leading Colombian composers, pianists, and educators of his generation. His Dúo en forma de sonata (1926) for violin and piano serves as an early example of the composer's aesthetic. According to the programmatic description he sent to his mother, the Dúo depicts Valencia's "indelible impressions" of ...
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Verso una comune forma di improvvisazione. Intelletto, Emozione, Intuizione in Law & Music
2014The aim of this paper is showing relationship between law and music (both performative disciplines). The main focus is on analysis and interpretation of a piece of music like a legal provision. Undoubtedly the crucial stage that prepares the work of interpretation is the elimination of technical and mechanical problems related to so-called relationship
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Gestualidad en la música de cámara: movimiento, sonido y forma musical
2017La práctica de la Música de Cámara facilita el desarrollo de competencias comunicativas. Los intérpretes se sirven de los aprendizajes adquiridos en el resto de las asignaturas de los conservatorios, en un contexto de colaboración entre los componentes del grupo.
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