Results 1 to 10 of about 22,917 (264)
To the Question of Visualizing a Simultaneous Image of a Musical Piece as a Method of Developing Perception of Musical Forms [PDF]
Музыкальное искусство и образование, 2021 This article is devoted to discussion of visual method of learning musical form – the universal graphical model. This method is based on the perception phenomenon and the concept of “a simultaneous vision of a musical piece”.
Aleksei N. Pleskonosov
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Sliding-Window Pitch-Class Histograms as a Means of Modeling Musical Form
Transactions of the International Society for Music Information Retrieval, 2021 This study proposes a fine-tuned approach to modeling musical form in Classical repertoires by analyzing pitch-class distributions in symbolic data using machine learning algorithms. Results suggest that sliding-window histograms, which take the temporal
Dror Chawin, Uri B. Rom
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Babylonian confusion. Zur Terminologie der Formanalyse von Pop- und Rockmusik [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2011 Eine differenzierte Formanalyse der seit 1950 entstandenen Pop-/Rockmusik ist möglich, wenn die englischsprachigen Begriffe ›Verse‹, ›Chorus‹, ›Headline‹, ›Intro‹, ›Outro‹, ›Bridge‹, ›Instrumental Solo‹, ›Interlude‹, ›Prechorus‹ und ›Transitional Bridge‹
Ulrich Kaiser
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Empirical Musicology Review, 2021 This report documents a dataset consisting of expert annotations (symbolic data) of interthematic (higher-level) cadences in the exposition sections of all of Mozart's instrumental sonata-allegro movements.
Omer Raz, Dror Chawin, Uri B. Rom
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LULLABIES SERIES, OP. 33 BY JOSEF SUK: AMIDST THE ROMANTIC BERCEUSE AND THE ETHEREAL OF IMPRESSIONISM [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 Th e aim of this article is the presentation of an interpretative and stylistic analysis of the series Lullabies, op. 33 by Josef Suk. Although the Berceuse or Lullaby genre was known from the Antiquity period, the romantic composers were the ones who ...
TURTĂ-TIMOFTE, IOANA-LAURA
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CoRR, 2023 While recent generative models can produce engaging music, their utility is limited. The variation in the music is often left to chance, resulting in compositions that lack structure. Pieces extending beyond a minute can become incoherent or repetitive.
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Multikulturelles Virtuosentum. Schuberts Fantasie C-Dur für Violine und Klavier D 934 (1827) [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 Die Fantasie für Violine und Klavier D 934 spiegelt den Wiener Multikulturalismus zu Schuberts Zeiten wider. In diesem Beitrag werden formanalytische Ansätze im Spannungsfeld zwischen Kunstmusik und populärer Musik kritisch resümiert, weiterverfolgt und ...
Roberta Vidic
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Musical style of reception – a musical interpretant – musical form in literature
Przestrzenie Teorii, 2012 The paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”.
Aleksandra Reimann
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Rudolf Arnheim: Perceptive dynamics in musical expression
Gestalt Theory, 2023 A pupil of Köhler and von Hornbostel in Berlin, Arnheim published an article in the Musical Quarterly in 1984, where he applied the principles of visual composition to the musical form.
Coppola Walter
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