Form and freedom: the marriage of musical systems and intuition [PDF]
, 2013 This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.This thesis includes an Introduction, which explains some of the ideas and procedures involved in a series of compositions I produced during the period ...
Gotham, Nicholas
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On form in Musical Composition [PDF]
Proceedings of the Musical Association, 1878 On receiving the invitation of the Council of this Institution to read a paper on Form in Musical Composition, my first impression was that so comprehensive a subject could scarcely be treated within prescribed limits, which would admit of little more than a dry and incomplete catalogue of the numerous kinds of musical composition to which the word ...
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The Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 This article surveys the reception of Arnold Schoenberg’s theoretical ideas in English-language music theory, with a primary (though not exclusive) focus on their reception in the United States.
John Covach
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Expressive Sonority and Formal Control: Lojze Lebič into the 21st Century
Muzikološki Zbornik, 2014 An investigation of recent works by the Slovene composer Lojze Lebič shows continuing attention to drawing memorable sounds from instruments and voices in a very expressive way. This is always allied to a careful formal planning.
Niall O’Loughlin
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Musical timbre: bridging perception with semantics [PDF]
, 2013 Musical timbre is a complex and multidimensional entity which provides information regarding the properties of a sound source (size, material, etc.). When it comes to music, however, timbre does not merely carry environmental information, but it also ...
Zacharakis, Asterios
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Sonatentheorien des Ostens. Zum Transfer einer westeuropäischen Formidee nach Russland und in die Sowjetunion bis 1945 [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 Der Aufsatz untersucht, inwieweit im musiktheoretischen Schrifttum russischer und sowjetischer Autor*innen des 19. und 20. Jahrhunderts eine Orientierung am westeuropäischen Kanon musikalischer Formen stattfindet und in welchem Umfang dieser durch ...
Wendelin Bitzan
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›Schreiben‹ als Differenz von Stille und Klang. Aspekte der musikalischen Form in Helmut Lachenmanns Schreiben. Musik für Orchester [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2016 In der vorliegenden Analyse von Helmut Lachenmanns Orchesterkomposition Schreiben. Musik für Orchester (2002–03, revidiert 2004/05) untersuche ich das Verhältnis von Klang und Form auf unterschiedlichen mikro- und makroformalen Ebenen aus einer ...
Cosima Linke
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PILU MEMBIRU MUSICAL FORM ANALYSIS BY KUNTO AJI
JADECS (Journal of Art, Design, Art Education and Culture Studies), 2022 Musical form is the composition of music in a composition of motifs, themes, and phrases. Musical forms according to the number of sentences is divided into three types, namely one-part musical form, two-part musical form, and three-part musical form ...
Rizkyatul Bazir +2 more
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House of shadows as text and performance : structural and conceptual considerations of/for the contemporary musical play [PDF]
, 2005 This paper is an explication of my thesis production House of Shadows, which was presented in November 2004 towards the fulfilment of the degree of Master of Arts in Theatre and Performance (Theatre Making) at the University of Cape Town. The explication
Fick, David
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Aspekte musikalischer Autonomie im Mittelalter
De Musica Disserenda, 2015 Without a doubt, the idea of absolute music in the late 18th century brought about a paradigm shift, but this was not as radical as is generally believed.
Rudolf Florzinger
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