Results 11 to 20 of about 22,917 (264)
Form in der Musik des 15. Jahrhunderts. Josquin Desprez’ Missa La sol fa re mi [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2006 Der Paradigmenwechsel von der ›sukzessiven‹ zur ›simultanen‹ Kompositionsweise im 15. Jahrhundert änderte auch das Verständnis musikalischer ›Form‹ grundlegend.
Guido Heidloff
doaj +1 more source
On form in Musical Composition [PDF]
Proceedings of the Musical Association, 1878 On receiving the invitation of the Council of this Institution to read a paper on Form in Musical Composition, my first impression was that so comprehensive a subject could scarcely be treated within prescribed limits, which would admit of little more than a dry and incomplete catalogue of the numerous kinds of musical composition to which the word ...
openaire +1 more source
Aspekte musikalischer Autonomie im Mittelalter
De Musica Disserenda, 2015 Without a doubt, the idea of absolute music in the late 18th century brought about a paradigm shift, but this was not as radical as is generally believed.
Rudolf Florzinger
doaj +1 more source
Form und Dramaturgie in Beethovens Violinkonzert . Zur Interpretation des Kopfsatzes durch Rudolf Kolisch und René Leibowitz [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2017 Ein Schwerpunkt der Aufführungstheorie von Rudolf Kolisch liegt auf der Realisierung der ›richtigen‹ Tempi für Beethovens Musik. In diesem Beitrag wird eine Diskussion über »Aufführungsprobleme im Violinkonzert von Beethoven« von René Leibowitz und ...
Jan Philipp Sprick
doaj +1 more source
PILU MEMBIRU MUSICAL FORM ANALYSIS BY KUNTO AJI
JADECS (Journal of Art, Design, Art Education and Culture Studies), 2022 Musical form is the composition of music in a composition of motifs, themes, and phrases. Musical forms according to the number of sentences is divided into three types, namely one-part musical form, two-part musical form, and three-part musical form ...
Rizkyatul Bazir +2 more
doaj +1 more source
Композиционная организация кантат Андре Кампра [PDF]
Вестник музыкальной науки, 2019 Статья посвящена строению светских кантат Андре Кампра (1660-1744), опубликованных в трех томах (1708, 1714,1728) и ставших относительно новым явлением во французской музыке своего времени.
Агибаева, Меруерт Тулегеновна +1 more
doaj +1 more source
Expressive Sonority and Formal Control: Lojze Lebič into the 21st Century
Muzikološki Zbornik, 2014 An investigation of recent works by the Slovene composer Lojze Lebič shows continuing attention to drawing memorable sounds from instruments and voices in a very expressive way. This is always allied to a careful formal planning.
Niall O’Loughlin
doaj +1 more source
The Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 This article surveys the reception of Arnold Schoenberg’s theoretical ideas in English-language music theory, with a primary (though not exclusive) focus on their reception in the United States.
John Covach
doaj +1 more source
The Journal of Aesthetics and Art Criticism, 1987 Abstract There have been many attempts to define what music is in terms of the specific attributes of musical sounds. The famous nineteenth century critic Eduard Hans lick regarded ‘the measurable tone’ as ‘the primary and essential condition of all music’ (trans. 1957: 105). Musical sounds, he was saying, can be distinguished from those
openaire +1 more source