Results 11 to 17 of about 25 (17)

A (Short) Aesthetic History of Belgian Comics

open access: yes, 2019
The objective of the class is to give an introduction to Belgian comics history. It will mainly consider the appearance and evolution of the graphic and narrative devices as much as the themes and the fictional registers.
Dejasse, Erwin
core  

Champs, mondes et réseaux de la bande dessinée : le cas de Glénat Fields, worlds and networks in graphic novels - the example of Glénat

open access: yes, 2018
Distinct à la fois des maisons plus traditionnelles comme Dupuis ou Dargaud et des institutions alternatives plus récentes comme L’Association ou Frémok, Glénat est un éditeur original, qui offre des prises diverses et solides permettant de rendre compte

core  

Thierry Van Hasselt och Frémok tänjer på seriekonstens gränser

open access: yes
Thierry Van Hasselt är en belgisk serietecknare, konstnär och förläggare. Framför allt är han känd som medgrundare av förlaget Fréon, som senare slogs samman med det franska förlaget Amok för att bilda Frémok.
Aman, Robert,
core  

Thierry Van Hasselt on the History of Frémok and Pushing the Boundaries of Comics

open access: yes
Thierry Van Hasselt is a Belgian cartoonist, painter, and publisher. He is renowned not only as an artist but also as a co-founder of Fréon, which later merged with the Parisian publishing house Amok in 2002 to become Frémok, often abbreviated as FRMK ...
Aman, Robert,
core  

Preface [of "Le Dieu du 12"]

open access: yes, 2011
Dejasse, Erwin
core  

La putain P jette le gant

open access: yes, 2011
de Vries, Katrin, Feuchtenberger, Anke
core  

Home - About - Disclaimer - Privacy