Results 1 to 5 of about 7 (5)

L’ENTERREMENT DE KASIMIR MALEVITCH

open access: yesRelief: Revue Électronique de Littérature Francaise, 2008
Cette variation sur Malevitch trouve son origine dans la lithographie de l'artiste russe intitulée "Troïé". Sur cette lithographie, on distingue un personnage surmontant une virgule, tournant le dos au spectateur et s'enfonçant dans le blanc de la page ...
Olivier Deprez
doaj   +5 more sources

Portraits d’un imaginaire de l’avant-garde : le Carré noir sur fond blanc de Kazimir Malevitch et ses réincarnations artistiques

open access: yesImaginations: Journal of Cross-Cultural Media Studies, 2012
Kazimir Malevitch’s “Black Square” (1915) is one of the most recycled paintings in recent art history. More or less successfully, respectfully or ironically, it led to contemporary Russian art not being perceived as derived from Malevitch but on ...
Geneviève Cloutier
doaj   +1 more source

Choir to one - notes on "cançãonoturnadabaleia"

open access: yesGragoatá, 2016
The object of the essay is only one of Augusto de Campos' poems from the 1990s, the cançãonoturnadabaleia. It deals with the contrasts between its three versions: the printed, that can be found in his book Despoesia, the oralized version, included in the
Flora Süssekind
doaj  
Home - About - Disclaimer - Privacy