Results 11 to 20 of about 269 (89)

Kasimir Malevitch : retour sur l’exposition hommage de 1978

open access: yesHistoire des expositions, 2014
Faut-il rappeler à quel point les mystères non résolus appâtent les propos de toute exposition rétrospective et rétro-active. Certains axes attirent particulièrement chercheurs et théoriciens du monde de l’art : la sempiternelle question de la "dernière ...
Milena Paez
core   +3 more sources

Revivre l'exposition "Malevitch" hors-champ : entretien avec Chantal Quirot

open access: yesHistoire des expositions, 2015
Entretien réalisé en 2014 par Milena Paez, restauratrice des Architectones de Malevitch. Germain Viatte, Noël Viard, Chantal Quirot attelés à la restauration du Carré noir, 1978, in cat. d'expo Jean-Hubert Martin, Malevitch - Architectones, Peintures et
Milena Paez
openaire   +3 more sources

Malevitch. Suprematism

open access: yes, 1970
Caption: "CASIMIR MALEVITCH was born in 1878 in Tsarist Russia; he died in Soviet Russia in 1935. Between 1913 and 1928 he developed his concept of a new abstract art which he called Suprematism, and manifested it in paintings, drawings, architectural ...

core   +4 more sources

Malevitch. Suprematism - ACE026.2

open access: yes
Caption: "CASIMIR MALEVITCH was born in 1878 in Tsarist Russia; he died in Soviet Russia in 1935. Between 1913 and 1928 he developed his concept of a new abstract art which he called Suprematism, and manifested it in paintings, drawings, architectural ...

core   +4 more sources

Choir to one - notes on "cançãonoturnadabaleia"

open access: yesGragoatá, 2016
The object of the essay is only one of Augusto de Campos' poems from the 1990s, the cançãonoturnadabaleia. It deals with the contrasts between its three versions: the printed, that can be found in his book Despoesia, the oralized version, included in the
Flora Süssekind
doaj  

In Memoriam David Graeber (1961, New York – 2020, Venise)

open access: yes, 2023
“I think I’m getting better, but it’s a slow process”David Graeber, 28 août 2020 Kasimir Malevitch, Carré noir, (1923~1930) © Jacques Faujour – Centre Pompidou, MNAM-CCI Alors que le milieu universitaire français n’accordait que peu d’intérêt aux ...
Accolas, Sophie
core   +1 more source

Cor : artifícios da cor no design e nas artes [PDF]

open access: yes, 2012
Branco, chumbo, cinza, blues, esmeralda, azul cueca, cores políticas, laranja, verde-água, amarelado, azulão, destoar, baio, cores smic, vermelho africano, albino, pastel, paleta bizantina ou egípcia, amizades coloridas, cores dos anos 70, "sangue de ...
Poeiras, Fernando
core   +1 more source

The Art Image in Aesthetic System of K. Malevitch: From Idea to Utopia

open access: yes, 2013
У статті аналізується трансформація поняття «художній образ» в естетичній системі К. Малевича. Основна увага автора зосереджена на особливостях формування парадигматичної ланки: «художній образ-ідеал-ідейний лик».
Храпко Павло Юрійович   +1 more
core   +1 more source

"L’espace du suprématisme au-delà du tableau"

open access: yes, 2019
International audienceLa préoccupation de l’espace est centrale dans le travail artistique qui conduit Malevitch au suprématisme, tout comme dans sa réflexion théorique sur la peinture sans-objet.
Dulguerova, Elitza
core   +1 more source

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