Results 101 to 110 of about 462 (160)

Francis Poulenc et les poètes

Vingtième Siècle, revue d'histoire, 1996
Résumé
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The Mélodies of Francis Poulenc

2013
An acknowledged master of mélodie, Francis Poulenc’s prolific song œuvre exceeds the collections of all other French composers who wrote in this genre. Yet despite Poulenc’s prolific output and its significance to art song repertoire, few volumes dedicated to study of Poulenc’s works have appeared in print. This text offers a theory on the marginalized
Alissa Deeter, Robert Peavler
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Francis (Jean Marcel) Poulenc

1998
geb. 7. 1. 1899 Paris; gest. 30. 1. 1963 Paris. Ab 1914 Kl.-Unterricht u.a. bei Ricardo Vines; durch diesen Bekanntschaft mit Erik Satie und Georges Auric. Kompositionsstudien bei Charles Koechlin; 1917 Auffuhrung der ersten eigenen Komposition Rhapsodie negre; 1919 Mitglied der ›Groupe des Six‹, gemeinsame Konzerte und Gruppenwerke; 1921 zusammen mit ...
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Francis Poulenc, Profane and Sacred

Logos: A Journal of Catholic Thought and Culture, 2013
In the Parisian world of musical composition between World War I and World War II, Francis Poulenc was not deemed a first-tier composer. Foremost at that level were Igor Stravinsky and Darius Milhaud. By 1958, however, when Leonard Bernstein and the New York Philharmonic wanted to commission a work for the presti- gious 1962 opening of Lincoln Center ...
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Poulenc, Francis (Jean Marcel)

1992
Als P. 1917 Paul Vidal, seinem Professor am Pariser Conservatoire, die Rapsodie negre zeigte, war dieser sehr emport und glaubte, das man sich uber ihn lustig mache. Betrubt ging P. zu Satie, seinem Mentor, der ihn mit den Worten trostete: »Ne melangez jamais les ecoles« (Vermischen Sie nicht die [verschiedenen] Schulen).
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Poulenc Francis, Correspondance 1910-1963

Vingtième Siècle. Revue d'histoire, 1995
Résumé
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Francis Poulenc

The Musical Times, 1960
David Cox, Henri Hell, Edward Lockspeiser, Kathleen Hoover, John Cage   +4 more
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Francis Poulenc 1899-1963 (1964)

2003
Abstract To the average Englishman, Francis Poulenc’s music may have appeared that of the typical French composer: witty, daring, sentimental, naughty. In fact Francis was very easily depressed, shockable, unsure, and liable to panic. No one who saw it will ever forget his agony in a boat on Thorpeness Meare, and it was really his horror
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Surrealism in Francis Poulenc’s Bal masqué

2004
In the fall of 1931, the Vicomte and Vicomtesse de Noailles commissioned Francis Poulenc to contribute to a "spectacle-concert" to be held in Hyere, the site of their country home. Although there is no written account of the soiree held at the Theatre d'Hyeres on April 20, 1932, there is a photograph showing ten of the people in attendance that ...
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Energy analysis of Francis turbine for various mass flow rate conditions based on entropy production theory

Renewable Energy, 2022
An Yu, Qinghong Tang
exaly