Results 21 to 30 of about 6,582,391 (173)

AN ANALYSIS OF THE GENRE, STYLE, AND INTERPRETATIVE ASPECTS OF FRANCIS POULENC'S PIANO SONATA FOR FOUR HANDS

Studia Universitatis Babeş-Bolyai. Musica
Composed in the 20th century, Francis Poulenc's Piano Sonata for Four Hands is a significant piece for piano duets. Its musical characteristics are represented in a unique way, as if it were an archive of its own.
Valentin MUREȘAN
doaj   +1 more source

Songs of Francit Poulenc (1899-1963): Robert Gartside, tenor and Laurence Berman, piano, March 15, 1983 [PDF]

, 1983
This is the concert program of Songs of Francit Poulenc (1899-1963): Robert Gartside, tenor and Laurence Berman, piano performance on Tuesday, March 15, 1983 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core   +1 more source

The 1990 International Symposium on Laboratory Automation and Robotics

, 1990
Journal of Analytical Methods in Chemistry, Volume 12, Issue 6, Page 227-250, 1990.
Glenn L. Taylor, Thomas R. Smith, Gregory J. Kamla   +2 more
wiley   +1 more source

Carnival and French opéra-bouffe in the 20th century: a reconnaissance and research prospects

Київське музикознавство
The French opéra-bouffe remains an insufficiently explored phenomenon in contemporary musicology, despite its distinctive aesthetic profile and its significant contribution to twentieth-century musical theatre.
Anna Rusin
doaj   +1 more source

Le Surréalisme, un nouveau paradigme esthétique pour le dialogue entre les arts?

Gli Spazi della Musica, 2018
La refonte des moyens d’expression est une question capitale pour les avant-gardes du début du vingtième siècle. Si le mot “surréalisme” est en 1917 le signe d’un rassemblement de tendances diverses, l’affirmation idéologique du mouvement par André ...
Sébastien Arfouilloux
doaj  

Músicos en movimiento: comprendiendo el movimiento corporal en la interpretación musical de clarinetistas

Antec
El estudio del movimiento corporal en la interpretación musical ha ganado relevancia en las últimas décadas, especialmente en la búsqueda de una mayor comprensión de la expresividad musical.
Elí Aurora Díaz Jara, Víctor Hugo Ñopo Olazábal   +1 more
doaj   +1 more source

CONCERT OF CHAMBER MUSIC FOR WINDS Wednesday, February 23, 2005 8:00 p.m. Lillian H. Duncan Recital Hall [PDF]

, 2017
Playlist: Trio for Oboe, Bassoon, and Piano / Francis Poulenc (1899-1963) -- Quintet for Winds / Carl Nielsen (1865-1931) -- Trio for Flute, Bassoon, and Piano / Gaetano Donizetti (1797-1848) -- Sextet for Piano and Woodwind Quintet / Francis Poulenc ...

core  

«La plus grande audace à notre époque: être simple». Simplicity, Subversion and Intimations of the Surreal in Francis Poulenc’s Early Collaborations with Jean Cocteau

Gli Spazi della Musica, 2018
This article discusses the concept of simplicity in Cocardes and other early works by Poulenc created in collaboration with Jean Cocteau. Drawing together strands ranging chronologically and stylistically from the ballet Parade through Cocteau’s ...
Jeremy Cox
doaj  

Fantasy and Innovation in Deux pièces pour clavecin, h. 244 by Bohuslav Martinů

Studia Universitatis Babeş-Bolyai. Musica
This article highlights the divergences between the historical and modern style of playing the harpsichord, through a detailed analysis of the album 2 Pièces pour clavecin, H.
Diana ICHIM, Botond SZŐCS, Stela DRĂGULIN   +2 more
doaj   +1 more source

Abstracts of the NIH‐FDA Conference “Biomarkers and Surrogate Endpoints: Advancing Clinical Research and Applications”

, 2013
Disease Markers, Volume 14, Issue 4, Page 187-334, 1998.
wiley   +1 more source