Results 21 to 30 of about 7,286 (177)
Robert Gartside, tenor assisted by Richard Corbett, pianist, November 29, 1967 [PDF]
This is the concert program of the Robert Gartside, tenor assisted by Richard Corbett, pianist performance on Wednesday, November 29, 1967 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core
Francis Poulenc’s opéra bouffe Les Mamelles de Tirésias has been frequently characterized by critics and scholars as a light-hearted breath of relief following the Second World War.
Ethan Allred
doaj
Marissa Plati, mezzo-soprano and Hoi Ting Chu, piano, April 7, 2017 [PDF]
This is the concert program of the Marissa Plati, mezzo-soprano and Hoi Ting Chu, piano performance on Friday, April 7, 2017 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Madre diletta, abbracciami by Giovanni Porta,Die
School of Music, Boston University
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El estudio del movimiento corporal en la interpretación musical ha ganado relevancia en las últimas décadas, especialmente en la búsqueda de una mayor comprensión de la expresividad musical.
Elí Aurora Díaz Jara +1 more
doaj +1 more source
A Recital of Works for Piano Ensemble, April 24, 1984 [PDF]
This is the concert program of A Recital of Works for Piano Ensemble on Tuesday, April 24, 1984 at 6:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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The 1990 International Symposium on Laboratory Automation and Robotics
Journal of Analytical Methods in Chemistry, Volume 12, Issue 6, Page 227-250, 1990.
Glenn L. Taylor +2 more
wiley +1 more source
Boston University Symphony Orchestra and Symphonic Chorus, November 18, 2013 [PDF]
This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, November 18, 2018 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts.
School of Music, Boston University
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Le Surréalisme, un nouveau paradigme esthétique pour le dialogue entre les arts?
La refonte des moyens d’expression est une question capitale pour les avant-gardes du début du vingtième siècle. Si le mot “surréalisme” est en 1917 le signe d’un rassemblement de tendances diverses, l’affirmation idéologique du mouvement par André ...
Sébastien Arfouilloux
doaj
Fantasy and Innovation in Deux pièces pour clavecin, h. 244 by Bohuslav Martinů
This article highlights the divergences between the historical and modern style of playing the harpsichord, through a detailed analysis of the album 2 Pièces pour clavecin, H.
Diana ICHIM +2 more
doaj +1 more source
Arcadian Winds, May 17, 1991 [PDF]
This is the concert program of Arcadian Winds performance on Friday, May 17, 1991 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Piano Quintet in E-flat Major, Op.
School of Music, Boston University
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