Results 31 to 40 of about 7,286 (177)

Mandy Xinyuan Xu, piano, May 3, 2016 [PDF]

open access: yes, 2016
This is the concert program of the Mandy Xinyuan Xu, piano performance on Tuesday, May 3, 2016 at 4:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Three Intermezzi, Op.
School of Music, Boston University
core  

Boston University Choral Ensembles, November 14, 2009 [PDF]

open access: yes, 2009
This is the concert program of the Boston University Choral Ensembles performance on Saturday, November 14, 2009 at 7:30 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

«La plus grande audace à notre époque: être simple». Simplicity, Subversion and Intimations of the Surreal in Francis Poulenc’s Early Collaborations with Jean Cocteau

open access: yesGli Spazi della Musica, 2018
This article discusses the concept of simplicity in Cocardes and other early works by Poulenc created in collaboration with Jean Cocteau. Drawing together strands ranging chronologically and stylistically from the ballet Parade through Cocteau’s ...
Jeremy Cox
doaj  

Collaborative Piano Student Recital, February 27, 1995 [PDF]

open access: yes, 1995
This is the concert program of the Collaborative Piano Student Recital performance on Monday, February 27, 1995 at 6:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core   +1 more source

Piano Ensemble, December 3, 1987 [PDF]

open access: yes, 1987
This is the concert program of the Piano Ensemble performance on Thursday, December 3, 1987 at 12:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Rondo in A major, KV 521 by Franz Schubert, Suite for Two Pianos, Op.
School of Music, Boston University
core  

Francis Poulenc et la danse [PDF]

open access: yesLes Cahiers de la Société québécoise de recherche en musique, 2012
La danse constitue un axe important de la production de Poulenc et un modèle essentiel de son style, axe qu’il convient d’examiner globalement. Les références explicites (dans les titres) ou implicites aux danses irriguent toute son oeuvre, en dehors même des ballets, et contribuent à créer un imaginaire de la danse, lié à ses lectures et à ses ...
openaire   +2 more sources

Faculty recital: Joan Heller, soprano and Terry Decima, piano, September 30, 1986 [PDF]

open access: yes, 1986
This is the concert program of the Faculty Recital: Joan Heller, soprano and Terry Decima, piano performance on Tuesday, September 30, 1986 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Boston University Chamber Chorus, Symphonic Chorus, and Symphony Orchestra, November 16, 1995 [PDF]

open access: yes, 1995
This is the concert program of the Boston University Chamber Chorus, Symphonic Chorus, and Symphony Orchestra performance on Thursday, November 16, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Abstracts of papers presented at the ISLAR (International symposium on laboratory automation and robotics) 1997

open access: yes, 1998
Journal of Analytical Methods in Chemistry, Volume 20, Issue 2, Page 31-66, 1998.
wiley   +1 more source

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