Results 61 to 70 of about 331 (159)

DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2013
The Presence of the Valuable Features Macabre-Obstiné in the Late Piano Creations by Franz Liszt. This paper proposes to analyze those procedures, compositional techniques and means of artistic expression of Franz Liszt, which are aimed to reflect and ...
Miklós FEKETE
doaj  

Prométhée, op. 21 by Leopoldo Miguez: Considerations on the Symphonic Poem, Its Program and Sonata Form

open access: yesOpus, 2016
This article discusses Leopoldo Miguez’s symphonic poem Prometheus, op. 21 and its programmatic and structural aspects. Firstly, it addresses the programme, where the central character is Prometheus, and its representation in the music.
Norton Dudeque
doaj   +1 more source

Prométhée, op. 21 de Leopoldo Miguez: considerações sobre o poema sinfônico, seu programa e a forma sonata

open access: yesOpus, 2016
Este artigo discute o poema sinfônico Prométhée, op. 21 de Leopoldo Miguez e seus aspectos programáticos e estruturais. Para o primeiro, são feitas considerações sobre o programa da obra, onde o mito de Prometeu é o personagem central, e sua ...
Norton Dudeque
doaj   +1 more source

Reflexiones sobre las bases de la política criminal

open access: yesRevista de Derecho (Coquimbo), 2001
1. La administración de la herencia determinista de von Liszt. 1. Franz von Liszt creó la Política criminal como disciplina científica, concibiéndola como el conjunto de criterios determinantes de una lucha "eficaz" contra el delito.
Jesús María Silva Sánchez
doaj  

Opinion: Basic 3D printing design methodology for individual combinative dosage forms

open access: yesAnnals of 3D Printed Medicine, 2023
Marius Tidau, Jan Henrik Finke
doaj   +1 more source

Dimensionen der Groove-Affordanz (DGA) beim Hören populärer Musik: Ein neues Messinstrument und eine vergleichende Validierungsstudie

open access: yesJahrbuch Musikpsychologie
Beim Musikhören auftretende Bewegungsempfindungen und Bewegungsimpulse können ganz unterschiedliche Qualitäten besitzen und im Alltag bei hinreichendem Gefallen an der Musik und situativer Passung zu körperlichen Handlungen, z. B. Tanzbewegungen, führen.
Steffen Lepa   +2 more
doaj   +1 more source

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