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Subjectivity and Free Indirect Discourse
2015AbstractThis chapter claims, following Banfield (1982), that Free Indirect Discourse (FID) is a strictly literary form. Crucially, FID succeeds where non-literary texts fail: it creates a “Subject of Consciousness,” a discourse participant who expresses personal thoughts and feelings in complete grammatical sentences.
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The discourse structure of free indirect discourse reports
Linguistics in the Netherlands, 2021Abstract We investigate the discourse structure of Free Indirect Discourse passages in narratives. We argue that Free Indirect Discourse reports consist of two separate propositional discourse units: an (explicit or implicit) frame segment and a reported content.
Sofia Bimpikou +2 more
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2019
In free indirect discourse (FID), the narrative discourse of a text incorporates the language and subjectivity of a character, including emotional coloring, deictics, judgments, and style, without an introductory attributing frame like “she thought that” and without shifts in the pronouns or the tense sequence to accord with the character’s perspective.
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In free indirect discourse (FID), the narrative discourse of a text incorporates the language and subjectivity of a character, including emotional coloring, deictics, judgments, and style, without an introductory attributing frame like “she thought that” and without shifts in the pronouns or the tense sequence to accord with the character’s perspective.
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The Semantic Properties of Free Indirect Discourse
Annual Review of Linguistics, 2016Free indirect discourse has traditionally been described as a form of reported speech or thought. It seems to be a mixture of both direct discourse (in allowing exclamatives, interrogatives, etc.) and indirect discourse (in following sequences of tenses and pronouns). It has been the object of more interest from literary theorists than from linguists,
Reboul, A., Delfitto, D., Fiorin, G
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Free Indirect Discourse and Reading
2015Slobodni neupravni govor utječe na recepciju i razumijevanje književnoga djela te ovisi o kontekstu, kulturnom okruženju, znanju, očekivanjima i strategijama čitatelja.
Mikulan, Krunoslav, Legac, Vladimir
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FREE INDIRECT DISCOURSE IN E. WHARTON’S NOVELS
2023Free Indirect Discourse is one of the most complicated stylistic devices used in a literary text. This article focuses on Free Indirect Discourse functioning in novels by E. Wharton, one of the most popular American writers of the late 19th-early 20th century. Her characters are complex and her narrative is involved and polyphonic.
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Free Indirect Discourse in the Translation into Finnish
Target. International Journal of Translation Studies, 2000Abstract Free indirect discourse (FID) is a narrative technique which purports to convey a character’s mental language while maintaining third-person reference and past tense. This paper deals with the problems the use of FID may create for Finnish translators of English literary narratives. A comparative analysis of D.H. Lawrence’s
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Typewriter: Free Indirect Discourse in Deleuze's Cinema
SubStance, 2005The figure of speech variously called "free indirect discourse," "quasidirect discourse," or "represented speech," dominates Gilles Deleuze's two-volume study Cinema, a work also containing a theory of cinematic "free indirect images." Deleuze develops a concept of free indirect images, which, he argues, articulate the social in "modern cinema ...
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