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Free Indirect Discourse and the Problem of Temporality
Studies in Eighteenth-Century CultureAbstract: This essay argues that free indirect discourse arose not merely as a means of interrogating the thoughts of others. Rather, it served, especially during its emergence in the late-eighteenth and early-nineteenth centuries, as a means of manipulating fictional time.
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FREE INDIRECT DISCOURSE: SOME REFERENTIAL ASPECTS
jlse, 1995Pour une semantique referentielle du style indirect libre portant sur la representation des aspects non/verbaux des evenements mentaux dans la prose narrative: idee du concept de «psycho-narration» ou «discours interne» renvoyant a la conscience du narrateur et replacement du mode discursif indirect dans un univers fictionnel compatible avec celui du ...
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An Experiential Diasporic Narrative of Free Indirect Discourse:
arcadiaAbstract Imbolo Mbue’s experiential novel Behold the Dreamers narrates the story of African protagonists who embark on a journey to fulfill their aspirations of a better life promised through the American Dream but, as outsiders, are hindered from achieving it.
Soghra Nodeh, Niloo Khosravi Fasaei
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Free Indirect Discourse and Narrative Authority in Emma
Narrative, 2004Jane Austen is generally acknowledged to be the first English novelist to make sustained use of free indirect discourse in the representation of figurai speech and thought.1 Unfortunately, however, the theory of free indirect discourse (FID) in Eng lish has not been congenial to Austen's work, often obscuring the way the technique functions in her ...
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Gender and Genre in Free Indirect Discourse
Studies in Eighteenth-Century CultureAbstract: There is a longstanding association in scholarship on the novel between free indirect discourse (FID) and narrative fiction. This essay argues that we ought to attend to free indirect discourse in non-narrative forms as well. The author first introduces Paul Dawson's historicist argument about FID.
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The Veil’s Free Indirect Discourse about Itself
2009When the gaze meets the veil, it becomes out of sync with itself, it is doubled and refracted in another gaze that sees and is seen along with it. Are we thus arriving at a true interaction of the different? And what would its conditions be like?
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The spectrum of perspective shift: protagonist projection versus free indirect discourse
Linguistics and Philosophy, 2020Marta Abrusán
exaly