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Derogatory terms in free indirect discourse [PDF]
Free indirect discourse (FID) is a style of reporting speech and thought that combines third-personal narration with direct, first-personal discourse. Expressive terms, such as “idiot” or “asshole”, are known to occur in FID. When so used, the pejorative content reflects the protagonist’s rather than the narrator’s point of view.
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The paper focuses on the analysis of free indirect discourse as a modernist narrative form. We outline the basic narrative and linguistic characteristics of free indirect discourse and examine its main functions in the literary texts.
Natascha Jourdy
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Jane Austen’s Emma is famous for being among the earliest and most sophisticated expositions of free-indirect discourse which is used to represent ironically a match-making heroine of 21 years whose judgements are usually faulty.
Robert Clark
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Monologue intérieur et discours rapporté : une union problématique ?
This article aims at studying the link between the literary phenomenon called “interior monologue” and the linguistic techniques of reported speech. While interior monologue is generally described as an autonomous discourse incompatible with narration, I
Florence FLOQUET
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This paper proposes a theoretical reduction of the existence of perspective taking in discourse to the combination of two basic methods of communication: iconic simulation, and description by means of conventional symbols. This includes an integration of
Arie Verhagen
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Dual Voice and Dual Style: Translating Free Indirect Discourse in Ulysses
No abstract available.
Ida Klitgård
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Discourse representation deals with language structures which has crucial role not only for the text, but also for social practices. Newspaper is one of the real implementations of discourse representation because newspaper comprises several components ...
Syafryadin
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Perspective and the future-in-the-past
The paper investigates the future-in-the-past (FiP) as in Peter would (later) see the Fujiyama. FiP can convey an outlook on events that, as the speaker knows, took place later (“objective sense”).
Regine Eckardt
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The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis
The interrelationship of natural and cultural history in Don DeLillo’s Underworld presents an ecology of mimesis. If, as Timothy Morton argues, ecological thought can be understood as a “mesh of interconnection,” DeLillo’s novel studies the ...
Andrew Bowie Hagan
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The discourse structure of free indirect discourse
We investigate the discourse structure of Free Indirect Discourse passages in narratives. We argue that Free Indirect Discourse reports consist of two separate propositional discourse units: an (explicit or implicit) frame segment and a reported content.
Bimpikou, Sofia +2 more
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