Results 61 to 70 of about 8,126 (187)

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

Renaissance Studies, Volume 40, Issue 4, Page 712-738, September 2026.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

L’interaction mutuelle entre le texte et l’image dans la peinture roumaine du XVIe siècle : une approche sémiologique [PDF]

Revue Roumaine d'Histoire de l'Art : Série Beaux-Arts, 2016
Cet article porte sur le rapport entre le texte et l’image dans la peinture roumaine du XVIe siècle. L’auteur souligne que l’icône ou la peinture murale orthodoxe ne sont pas des «compositions» dans le sens traditionnel du verbe « composer ». Le peintre
Constantin I. Ciobanu
doaj  

Kyivan iconography of St. Nicholas of Myra-Lycia and the icon of St Nicholas the Wet from Saint Sophia Cathedral

Київські історичні студії
The history of the study of the Old Rus iconographic heritage of Kyiv is an extremely small contribution to the national history of art. Until now, Russian scholars with their biased attitude toward Ukrainian, and primarily Kyivan, iconographic sources ...
Tetiana Lіuta
doaj   +1 more source

The “Cave Town” of Eski Kermen in A.S. Uvarov’s Description

Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2017
The author analyzes the description of “cave town” of Eski Kermen written by A.S. Uvarov as part of fourth chapter From Dnieper to Taurid Mountains of 3rd unpublished volume Research of Antiquities from the South Russia and Black Sea coast.
Yuriy M. Mogarichev
doaj   +1 more source

Découverte et restauration de peintures murales gothiques du XIIIe siècle à la Cathédrale de Chartres

CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2012
In October 2010, gothics wall paintings have been discovered in the high windows of the Chartres’s cathedral.
Geneviève Reille-Taillefert
doaj   +1 more source

Hertugparret malet i rotunden i Znojmo, 1134, Tjekkiet, er den bedste ikonografiske parallel til det danske kongelige stifterpar i Vä, 1121

ICO Iconographisk Post, 2019
Title in English: The donor couple painted in the Rotunda of St. Catherine in Znojmo (Czech Republic) in 1134 is the best iconographical parallel to the Danish royal donors in Vä Church, Sweden (1121) In this paper the author introduces an ...
Ulla Haastrup
doaj  

Physico-Chemical Compatibility of an Aqueous Colloidal Dispersion of Silica Nano-Particles as Binder for Chromatic Reintegration in Wall Paintings

Applied Sciences
Paint loss is one of the main forms of deterioration in historical wall paintings, generally restored by the application of chromatic reintegration. In the specific case of outdoor exposed paintings, it is essential to find a binder that will withstand ...
Daniel Jiménez-Desmond, José Santiago Pozo-Antonio, Anna Arizzi, Teresa López-Martínez   +3 more
doaj   +1 more source

About the Frescoes and under the Frescoes

, 2023
openaire   +2 more sources

The Asymmetry of Text and Image in Byzantium

Perspectives Médiévales, 2017
Henry Maguire
doaj   +1 more source

A unique new Palestine art-form

Estudios Eclesiásticos, 1960
El siguiente estudio describe los descubrimientos artísticos en Palestina, en concreto trata sobre frescos pintados de forma bicolor con rojo y negro.
Robert North
doaj