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Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, Volume 40, Issue 5, Page 838-852, November 2026.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
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Sanitary Muraline on these walls, is the only thing that will help you
, 2017 Trade card advertising Sanitary Muraline, a product prepared by the Sanitary Fresco ...
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HeritageSince the Hellenistic period, preparatory drawings known as sinopiae were employed as guidelines for mosaicists in creating mosaics. The sinopiae served as the basis for style and content, facilitating the placement of colored tesserae in the supporting ...
Yotam Asscher +7 more
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Бангдвари: живая традиция Кангры
Искусство ЕвразииВ сохраняющих традиционный уклад общинах, как правило сельских, распространено народное художественное творчество, связанное с верованиями и обычаями.
Чаудхари, С., Гупта, П.
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, 2000 Medium: etchingprintssigned."Al fresco" [2020.0285.000.000], Kahan, LouisExtent: plateExtent ...
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Визуальная теологияStudying architecture and frescoes of Novgorod’s monastic churches of the second half of the 14th century, one has to face the fact that the purpose of some annexes as well as internal compartments is yet unknown and their liturgical function remains ...
Tatiana Tsarevskaya / Татьяна Юрьевна Царевская
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, 2018 Color slide of dancers on stage performing in Fresco, choreographed by Heinz ...
Prekop, J. J., Jr.
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