Results 211 to 220 of about 5,082 (265)
Some of the next articles are maybe not open access.
ACM Transactions on Knowledge Discovery from Data, 2020
Music plays an important role in our daily life. With the development of deep learning and modern generation techniques, researchers have done plenty of works on automatic music generation. However, due to the special requirements of both melody and arrangement, most of these methods have limitations when applying to multi-track music ...
Hongyuan Zhu +5 more
openaire +1 more source
Music plays an important role in our daily life. With the development of deep learning and modern generation techniques, researchers have done plenty of works on automatic music generation. However, due to the special requirements of both melody and arrangement, most of these methods have limitations when applying to multi-track music ...
Hongyuan Zhu +5 more
openaire +1 more source
ClaviNet: Generate Music With Different Musical Styles
IEEE MultiMedia, 2021Classically, the style of the generated music by deep learning models is usually governed by the training dataset. In this article, we improved this by proposing the continuous style embedding ${z}_{s}$ z s to the general formulation of variational autoencoder (VAE) to allow users to be able to condition on the style of the generated music.
Yu-Quan Lim +2 more
openaire +1 more source
Music Education Research, 2016
General music is a term which has come to signify a music course intended to teach basic music knowledge and skills to all students, regardless of background.
openaire +2 more sources
General music is a term which has come to signify a music course intended to teach basic music knowledge and skills to all students, regardless of background.
openaire +2 more sources
2011 Second International Conference on Culture and Computing, 2011
In this paper, we present our practice of Generative Music Workshop (2010-). This workshop is a series of events that reproduce past masterpieces of generative music. The aim of the workshop is historical re-examination of generative works to contribute to recent musical practices with mobile computing devices. We regard that the organization of sounds
Tomotaro Kaneko, Kazuhiro Jo
openaire +1 more source
In this paper, we present our practice of Generative Music Workshop (2010-). This workshop is a series of events that reproduce past masterpieces of generative music. The aim of the workshop is historical re-examination of generative works to contribute to recent musical practices with mobile computing devices. We regard that the organization of sounds
Tomotaro Kaneko, Kazuhiro Jo
openaire +1 more source
Generalizing Musical Intervals
Journal of Music Theory, 2009Taking David Lewin's work as a point of departure, this essay uses geometry to reexamine familiar music-theoretical assumptions about intervals and transformations. Section 1 introduces the problem of “transportability,” noting that it is sometimes impossible to say whether two different directions—located at two different points in a geometrical space—
openaire +1 more source
General Music in General Education
Music Educators Journal, 1961trinsic value of such a course is the opportunity that it affords for integrating music with materials in the other arts. Today, there seems to be almost universal agreement that we define its function and limits, so that it may take its proper place in the larger curriculum.
openaire +1 more source
2011
In this chapter, we will create a program that randomly generates pitches at a specified tempo. The program will have the ability to change a number of musical variables including timbre, velocity, and tempo. We will also write a program that allows your MIDI keyboard to function as a synthesizer. These two programs will be the basis of future projects
openaire +1 more source
In this chapter, we will create a program that randomly generates pitches at a specified tempo. The program will have the ability to change a number of musical variables including timbre, velocity, and tempo. We will also write a program that allows your MIDI keyboard to function as a synthesizer. These two programs will be the basis of future projects
openaire +1 more source
The Journal of the Acoustical Society of America, 1982
For each of a number of musical tones, a rectangular square wave generator is programmed to produce a series of rectangular waves of the same amplitude and period, each wave of which has a predetermined energy content. The energy content of the waves is controlled through digital logic to permit adjustment of the amount and timing of the delivery of ...
Marc H. Segan, Sayre A. Swarztrauber
openaire +1 more source
For each of a number of musical tones, a rectangular square wave generator is programmed to produce a series of rectangular waves of the same amplitude and period, each wave of which has a predetermined energy content. The energy content of the waves is controlled through digital logic to permit adjustment of the amount and timing of the delivery of ...
Marc H. Segan, Sayre A. Swarztrauber
openaire +1 more source
1991
Music suffers in discussion more than most arts. The difficulties of grasping the workings of an art whose materials of sound are intangible, elusive, and ephemeral are increased by the usual practice of employing physical and other alien metaphors to convey the activities of musical creation and appreciation.
openaire +1 more source
Music suffers in discussion more than most arts. The difficulties of grasping the workings of an art whose materials of sound are intangible, elusive, and ephemeral are increased by the usual practice of employing physical and other alien metaphors to convey the activities of musical creation and appreciation.
openaire +1 more source
Generating Music from Flocking Dynamics
2012 American Control Conference (ACC), 2012We explore different approaches for generating music from the flocking dynamics of groups of mobile autonomous agents following a simple decentralized control rule. By developing software that links these dynamics to a set of sound wave generators, we study how each approach reflects sonically the transition to collective order and which produces ...
C. Huepe, R. F. Cadiz, M. Colasso
openaire +1 more source